8.3
Viewer Rating
Combines user and critic ratings from four sources
Ninotchka (1939)
Ninotchka (1939)
Overview
A stern Russian woman sent to Paris on official business finds herself attracted to a man who represents everything she is supposed to detest.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Strong Right
Diversity: Low
Viewer Rating
8.3
Overview
A stern Russian woman sent to Paris on official business finds herself attracted to a man who represents everything she is supposed to detest.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central thesis explicitly promotes individual freedom and the joys of Western consumerism, directly contrasting them with the oppressive and joyless nature of Soviet communism. This clear ideological stance positions it as a direct critique of collectivism and an endorsement of individual liberty.
This film features a cast that is traditional for its era, primarily consisting of white actors, with no apparent intentional diversity in casting. The narrative does not critique traditional identities or incorporate explicit DEI themes, focusing instead on its romantic and ideological satire.
Secondary
Ninotchka, a classic romantic comedy, does not feature any identifiable LGBTQ+ characters or themes. The story centers entirely on a heterosexual romance and political satire, leading to a determination of N/A for LGBTQ+ portrayal.
Ninotchka, a 1939 romantic comedy, centers on political satire and romance between a Soviet envoy and a French count. The film does not contain any identifiable transsexual characters or themes, resulting in no portrayal to evaluate.
The movie does not contain any action or adventure elements.
Ninotchka (1939) is an original film with characters created specifically for this production. There is no prior source material, historical record, or previous installment from which character genders could have been established and subsequently changed.
Ninotchka is an original film from 1939, not an adaptation of prior source material or a biopic. Its characters were created for this specific film, meaning there was no pre-existing canonical or historical race to be altered.
Viewer Rating Breakdown
User Ratings
7.8
7.5
Critic Ratings
9.5
N/A
More Like This
Leans Traditional
8.5
To Be or Not to Be
(1942)
Political: Center
Diversity: Low
Leans Traditional
8.0
Juno
(2007)
Political: Center
Diversity: Low
Leans Traditional
6.9
Quartet
(2012)
Political: Center
Diversity: Low
Leans Traditional
8.3
Charade
(1963)
Political: Center
Diversity: Low
Traditional
8.4
Meet Me in St. Louis
(1944)
Political: Leans Right
Diversity: Low
Center
7.9
Breakfast at Tiffany's
(1961)
Political: Center
Diversity: Low
Traditional
7.3
There's Something About Mary
(1998)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.6
La La Land
(2016)
Political: Center
Diversity: Low
Leans Traditional
7.1
Irma la Douce
(1963)
Political: Center
Diversity: Low
Leans Traditional
6.7
There's No Time for Love, Charlie Brown
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.7
Enchanted
(2007)
Political: Center
Diversity: Low
Leans Traditional
8.6
Top Hat
(1935)
Political: Center
Diversity: Low
Leans Traditional
7.6
Guys and Dolls
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Man Who Came to Dinner
(1941)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.0
Licorice Pizza
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Center
8.3
Moonrise Kingdom
(2012)
Political: Center
Diversity: Low
Female Combat: Yes
Leans Traditional
7.8
Enough Said
(2013)
Political: Center
Diversity: Low
Leans Traditional
6.6
Café Society
(2016)
Political: Center
Diversity: Low
Leans Traditional
7.9
Solo Mio
(2026)
Political: Center
Diversity: Low
Leans Traditional
7.0
Grease
(1978)
Political: Center
Diversity: Low