Viewer Rating
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Hyper-Reality (2016)
Hyper-Reality presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media.
Hyper-Reality presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media.
The film's central thesis is a stark critique of hyper-capitalism and corporate control, depicting a dystopian future where individuals are enslaved by a gamified augmented reality system that dictates their social worth and access to resources. This explicit systemic critique aligns with progressive ideology.
The film features an East Asian female protagonist, but its primary focus is on a speculative future saturated with augmented reality and consumerism. The narrative does not explicitly engage with or critique traditional identities or centralize DEI themes.
The film "Hyper-Reality" primarily explores themes of augmented reality, consumerism, and digital identity in a dystopian future. It does not feature any identifiable LGBTQ+ characters or themes, focusing instead on its critique of technology's impact on human experience.
The film 'Hyper-Reality, 2016' does not feature any identifiable transgender characters or themes. The narrative primarily explores a future dominated by augmented reality and its impact on the protagonist's daily life and mental state, without touching upon gender identity or transsexual experiences.
The movie does not contain any action or adventure elements.
Hyper-Reality is an original short film without established characters from prior source material or history. There is no indication of any character being canonically or historically established as one gender and then portrayed as another.
Hyper-Reality (2016) is an original short film, not an adaptation of existing material with pre-established characters. Therefore, no characters exist who could have been canonically or historically established as one race and then portrayed as another.
Combines user and critic ratings from four sources























