The film features a gay character, Jian Guo, who seeks a fake marriage due to parental pressure. His depiction is largely neutral; he is presented as a successful individual, and while his situation provides some comedic moments, his sexual orientation itself is not a source of mockery or degradation. The portrayal neither strongly affirms nor denigrates LGBTQ+ identity.

The film features Jian Guo, a character who transitioned from male to female but expresses deep regret and a desire to revert. Her portrayal is largely comedic, focusing on her past decision as a source of awkwardness and humor for the protagonist. This depiction, centered on regret and played for laughs, contributes to a problematic view of transsexual identity.

A Buddhist monk character's personal struggles to reconcile spiritual vows with worldly desires are presented with gentle humor and a degree of sympathy, without satirizing the faith itself.

The film portrays a former Catholic nun with sympathy and respect. Her personal struggle to reconcile her vows with a desire for love and family is presented as a deeply human journey, without critiquing the faith itself.