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Running on Karma (2003)
A monk turned body-builder, with the gift to see into people's lives, befriends a female cop, and uses his gift to change the force of Karma and her destiny.
A monk turned body-builder, with the gift to see into people's lives, befriends a female cop, and uses his gift to change the force of Karma and her destiny.
The film's dominant themes align with conservative values by emphasizing individual spiritual responsibility and an inherent moral order (karma) as the primary drivers of justice and suffering, rather than systemic or collective approaches.
This Hong Kong film features a cast traditional to its cultural origin, without explicit race or gender swaps of roles typically associated with Western productions. The narrative explores themes of fate and justice, maintaining a neutral or positive framing of traditional identities without centering on explicit DEI critiques.
The film's narrative is deeply rooted in Buddhist philosophy, portraying concepts like karma, reincarnation, and the path to enlightenment as fundamental truths. The protagonist's journey, his abilities, and the film's resolution all affirm these principles, demonstrating their profound impact on life and the potential for spiritual understanding.
The film 'Running on Karma' does not feature any discernible LGBTQ+ characters, storylines, or themes. The narrative focuses entirely on its heterosexual protagonists and their spiritual and action-oriented journey, resulting in no applicable portrayal of LGBTQ+ elements.
The film "Running on Karma" does not feature any identifiable transsexual characters or themes within its narrative. Consequently, there is no portrayal to evaluate regarding transgender identity or experiences.
The film features Inspector Lee, a police officer, who is involved in investigations and police operations. However, she does not engage in or win direct physical combat against male opponents. Her role is primarily investigative, and she is ultimately a victim of the main antagonist.
Running on Karma is an original film, not an adaptation, reboot, or biopic. All characters were created for this specific production, meaning there are no pre-existing canonical characters whose gender could have been swapped.
This film is an original Hong Kong production from 2003. Its characters were created for this specific movie and do not have prior canonical or historical racial depictions to compare against. Therefore, no race swap occurred.
Combines user and critic ratings from four sources























