5.9
Viewer Rating
Combines user and critic ratings from four sources
In Harm's Way (1965)
In Harm's Way (1965)
Overview
A Naval officer, reprimanded after Pearl Harbor, is later promoted to Rear Admiral and gets a second chance to prove himself against the Japanese.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Christianity: Positive
Viewer Rating
5.9
Overview
A Naval officer, reprimanded after Pearl Harbor, is later promoted to Rear Admiral and gets a second chance to prove himself against the Japanese.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central narrative champions strong military leadership, duty, and sacrifice as the solution to wartime challenges, ultimately reinforcing traditional values of national defense and institutional strength, despite acknowledging the human cost and individual failings.
This 1965 war film features a cast predominantly composed of white actors, reflecting the typical casting practices of its era without intentional race or gender swaps. The narrative focuses on the experiences of American military personnel during World War II, portraying traditional identities in a neutral to positive light without explicit critique or central DEI themes.
Secondary
The film respectfully portrays Christian chaplains and practices, showing them as sources of comfort and moral guidance for military personnel facing the horrors of war. The narrative affirms the supportive role of faith in times of crisis, without any critique or irony.
The film "In Harm's Way" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses exclusively on heterosexual relationships and the experiences of military personnel during World War II, with no representation of queer identity.
The film 'In Harm's Way' (1965) is a World War II drama focusing on naval officers and their families during the attack on Pearl Harbor. There are no identifiable transsexual characters or themes present in the movie's storyline or character arcs, resulting in a 'N/A' rating for transsexual portrayal.
The movie does not contain any action or adventure elements.
The film "In Harm's Way" (1965) is an adaptation of James Bassett's 1962 novel. A review of the main characters from the novel and their portrayals in the film reveals no instances where a character's established gender was changed.
The 1965 film "In Harm's Way" is an adaptation of James Bassett's 1962 novel. There is no evidence that any character canonically established as one race in the source material was portrayed as a different race in the film adaptation.
Viewer Rating Breakdown
User Ratings
7.3
6.6
Critic Ratings
3.7
N/A
More Like This
Traditional
6.7
Exodus
(1960)
Political: Leans Right
Diversity: Low
Traditional
7.9
The Court-Martial of Billy Mitchell
(1955)
Political: Leans Right
Diversity: Low
Traditional
7.7
Sands of Iwo Jima
(1950)
Political: Strong Right
Diversity: Low
Leans Traditional
7.8
The Longest Day
(1962)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Last Samurai
(2003)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.3
Bonjour Tristesse
(1958)
Political: Center
Diversity: Low
Traditional
6.7
The Patriot
(2000)
Political: Strong Right
Diversity: Low
Leans Traditional
9.2
Schindler's List
(1993)
Political: Center
Diversity: Low
Leans Traditional
7.7
M*A*S*H
(1970)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Traditional
7.2
The Man with the Golden Arm
(1955)
Political: Leans Right
Diversity: Low
Leans Traditional
8.8
Anatomy of a Murder
(1959)
Political: Center
Diversity: Low
Center
7.9
Breakfast at Tiffany's
(1961)
Political: Center
Diversity: Low
Traditional
7.1
The Birth of a Nation
(1915)
Political: Strong Right
Diversity: Low
Traditional
8.7
Gone with the Wind
(1939)
Political: Strong Right
Diversity: Low
Leans Traditional
8.5
The Great Escape
(1963)
Political: Center
Diversity: Low
Traditional
8.2
The Quiet Man
(1952)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
A Bridge Too Far
(1977)
Political: Center
Diversity: Low
Leans Traditional
8.1
Fail Safe
(1964)
Political: Center
Diversity: Low
Traditional
7.7
Braveheart
(1995)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.2
Barry Lyndon
(1975)
Political: Center
Diversity: Low