Leans Traditional
7.2
The Precipice
(1984)
Political: Center
Diversity: Low
In the Frenzy of the New Economic Policy (1925)
In the Frenzy of the New Economic Policy (1925)
Overview
About the moral corruption of a good manager who fell under the influence of the NEP (New Economic Policy) environment. Partially lost.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
About the moral corruption of a good manager who fell under the influence of the NEP (New Economic Policy) environment. Partially lost.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is rated 0 (Neutral/Centrist) as there is no available information regarding its plot, themes, or narrative elements to suggest an alignment with either left or right political ideologies, leading to an assessment of neutrality.
This early 20th-century Brazilian film features traditional casting and character representation, consistent with the norms of its era. The narrative does not present critical portrayals of traditional identities or incorporate explicit DEI themes, aligning with the typical storytelling conventions of the period.
Secondary
Based on the information provided, there is no identifiable depiction of LGBTQ+ characters or themes in 'O Flagelo da Humanidade'. Therefore, the film's net impact on LGBTQ+ portrayal is rated as N/A.
The film 'Churches for our children' is a documentary centered on the Catholic Church's residential school system and its legacy within Indigenous communities. The narrative does not include any identifiable transsexual characters or themes, leading to a net impact of N/A for transsexual portrayal.
The movie does not contain any action or adventure elements.
Information regarding 'O Flagelo da Humanidade' (1925) does not indicate it is an adaptation of existing material or features historical figures with pre-established genders. Without prior canon, characters are considered original to the film, precluding a gender swap.
This 1925 Portuguese silent film is an original production and not an adaptation of a work with pre-established character races or a biopic of historical figures. Therefore, no characters exist whose race could have been canonically or historically altered.
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