8.2
Viewer Rating
Combines user and critic ratings from four sources
In the Heat of the Night (1967)
In the Heat of the Night (1967)
Overview
African-American Philadelphia police detective Virgil Tibbs is arrested on suspicion of murder by Bill Gillespie, the racist police chief of tiny Sparta, Mississippi. After Tibbs proves not only his own innocence but that of another man, he joins forces with Gillespie to track down the real killer. Their investigation takes them through every social level of the town, with Tibbs making enemies as well as unlikely friends as he hunts for the truth.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Strong Left
Diversity: High
LGBTQ: Negative
Christianity: Positive
Viewer Rating
8.2
Overview
African-American Philadelphia police detective Virgil Tibbs is arrested on suspicion of murder by Bill Gillespie, the racist police chief of tiny Sparta, Mississippi. After Tibbs proves not only his own innocence but that of another man, he joins forces with Gillespie to track down the real killer. Their investigation takes them through every social level of the town, with Tibbs making enemies as well as unlikely friends as he hunts for the truth.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film's central thesis explicitly critiques systemic racism and racial prejudice in the American South, championing racial equality and individual integrity against a backdrop of entrenched bigotry, aligning with progressive ideology.
The movie features a prominent Black lead character, bringing clear diversity to its casting. Its narrative is deeply centered on an explicit critique of racial prejudice and traditional white identities in the American South, with the protagonist challenging and overcoming systemic racism.
Secondary
In the Heat of the Night features implied LGBTQ+ characters, Endicott and Lloyd Purdy, whose identities are linked to suspicion and deviance. Chief Gillespie uses the derogatory term 'queer' for Purdy. The film reinforces negative stereotypes without offering dignity, complexity, or positive counter-narratives, resulting in a problematic portrayal.
The film critiques the pervasive racism and prejudice of characters in a culturally Christian Southern town. However, the narrative clearly condemns this bigotry, positioning the audience to sympathize with the victimized Virgil Tibbs, rather than attributing the prejudice to Christianity itself. The film's ultimate message champions justice and human dignity, implicitly aligning with core virtues often associated with the faith.
The film 'In the Heat of the Night' does not feature any transsexual characters or themes. Its narrative is entirely centered on racial tensions and a murder mystery in a Mississippi town, therefore, no portrayal analysis is applicable.
The movie does not contain any action or adventure elements.
The film "In the Heat of the Night" is an adaptation of John Ball's 1965 novel. All significant characters, including Virgil Tibbs and Bill Gillespie, retain the same gender as established in the original source material. There are no instances of characters being portrayed on screen with a different gender than their canonical or historical representation.
The film's central characters, Virgil Tibbs and Chief Gillespie, are portrayed by actors whose race aligns with their descriptions in the original novel. No characters established as one race in the source material were depicted as a different race in the film.
Viewer Rating Breakdown
User Ratings
7.9
7.7
Critic Ratings
9.6
7.6
More Like This
Center
6.6
Trance
(2013)
Political: Center
Diversity: Moderate
Leans Progressive
7.0
The Mighty Quinn
(1989)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.8
Bound by Honor
(1993)
Political: Leans Left
Diversity: High
LGBTQ: Negative
Leans Progressive
6.9
I Care a Lot
(2021)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Progressive
8.2
Thelma & Louise
(1991)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.7
Menace II Society
(1993)
Political: Strong Left
Diversity: Moderate
Progressive
7.8
Promising Young Woman
(2020)
Political: Strong Left
Diversity: High
Progressive
7.5
The Order
(2024)
Political: Strong Left
Diversity: High
Leans Progressive
7.5
Jackie Brown
(1997)
Political: Center
Diversity: High
Leans Progressive
7.8
Inside Man
(2006)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.3
Joker
(2019)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.6
Snowden
(2016)
Political: Strong Left
Diversity: Low
Progressive
7.7
Widows
(2018)
Political: Strong Left
Diversity: High
LGBTQ: Neutral
Progressive
7.4
Bound
(1996)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Leans Progressive
7.9
Searching
(2018)
Political: Center
Diversity: High
Leans Progressive
7.9
Gosford Park
(2001)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Progressive
6.7
Leave the World Behind
(2023)
Political: Leans Left
Diversity: High
LGBTQ: Neutral
Leans Progressive
8.2
Glengarry Glen Ross
(1992)
Political: Strong Left
Diversity: Low
Center
7.2
State of Play
(2009)
Political: Leans Left
Diversity: Low
Leans Progressive
8.2
Mulholland Drive
(2001)
Political: Center
Diversity: Moderate
LGBTQ: Positive