Leans Traditional
8.4
Three Colors: Blue
(1993)
Political: Center
Diversity: Low
Jésus succombe sous sa croix (1902)
Jésus succombe sous sa croix (1902)
Overview
Jesus is forced to carry the cross along the path, but his weakness causes him to sink under the weight of the cross. Simon of Cyrene helps him, the soldiers hit and kick them.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Low
Race Swap: Yes
Christianity: Positive
Judaism: Negative
Viewer Rating
Not Rated
Overview
Jesus is forced to carry the cross along the path, but his weakness causes him to sink under the weight of the cross. Simon of Cyrene helps him, the soldiers hit and kick them.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film is a direct, unadorned depiction of a specific biblical event, Jesus falling under the cross, without any discernible modern political framing or commentary. Its focus is purely on a religious narrative of suffering and sacrifice, rendering it politically neutral.
This early cinematic depiction of a biblical event adheres to traditional casting, portraying figures consistent with historical Western interpretations without intentional race or gender swaps. The narrative focuses on the religious subject matter, framing traditional identities neutrally or positively without engaging in critiques or explicit DEI themes.
Secondary
Jesus Christ, a historical figure of Middle Eastern descent, is portrayed by a white actor in this film, constituting a race swap from his documented historical race.
The film reverently depicts a pivotal event in Christian theology, Jesus carrying the cross, aligning its narrative with the dignity and significance of the faith's foundational story.
As part of a traditional Passion narrative, the film likely portrays Jewish authorities and crowds as antagonists responsible for Jesus's suffering, reinforcing historical anti-Judaic interpretations without offering counterbalancing nuance.
This film, depicting a scene from the Passion of Christ, does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses solely on the religious event, resulting in no portrayal of queer identity, either positive, negative, or neutral.
This film, depicting a scene from the Passion of Christ, does not feature any identifiable transsexual characters or themes. Therefore, its portrayal of transsexual identity is not applicable to the rubric.
The movie does not contain any action or adventure elements.
This 1902 film depicts a scene from the Passion of Christ. There is no historical or critical evidence to suggest that any canonically or historically established biblical characters were portrayed with a different gender than their source material.
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