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Keeping Up with the Joneses (2016)
An ordinary suburban couple finds it’s not easy keeping up with the Joneses – their impossibly gorgeous and ultra-sophisticated new neighbors – especially when they discover that Mr. and Mrs. “Jones” are covert operatives.
An ordinary suburban couple finds it’s not easy keeping up with the Joneses – their impossibly gorgeous and ultra-sophisticated new neighbors – especially when they discover that Mr. and Mrs. “Jones” are covert operatives.
The film is a spy comedy primarily focused on entertainment, personal growth, and marital dynamics, without explicitly promoting specific progressive or conservative ideologies.
The movie features primarily traditional casting with a predominantly white main cast and no explicit race or gender swaps of traditionally white roles. Its narrative does not critique traditional identities, instead framing them neutrally or positively, and does not incorporate strong DEI themes as central to its plot.
The film features Natalie Jones, a highly skilled secret agent, who consistently engages in and wins close-quarters physical fights against multiple male opponents throughout the movie, showcasing her combat expertise.
The film "Keeping Up with the Joneses" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a suburban couple's entanglement with their spy neighbors, with no elements related to queer identity present in the plot or character arcs.
The film "Keeping Up with the Joneses" does not feature any identifiable transsexual characters or themes. The narrative focuses on a suburban couple's entanglement with their spy neighbors, with no elements related to transgender identity present in the plot.
Keeping Up with the Joneses (2016) is an original film with no prior source material, historical figures, or legacy characters. All characters were created for this specific movie, thus precluding any instance of a gender swap.
Keeping Up with the Joneses (2016) is an original film featuring new characters created specifically for this production. There are no pre-existing canonical or historical versions of these characters from source material, prior installments, or real-world history to establish a baseline for a race swap.
Combines user and critic ratings from four sources























