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Kodachrome (2017)
Matt Ryder is convinced to drive his estranged and dying father Benjamin Ryder cross country to deliver four old rolls of Kodachrome film to the last lab in the world that can develop them before it shuts down for good. Along with Ben's nurse Zooey, the three navigate a world changing from analogue to digital while trying to put the past behind them.
Matt Ryder is convinced to drive his estranged and dying father Benjamin Ryder cross country to deliver four old rolls of Kodachrome film to the last lab in the world that can develop them before it shuts down for good. Along with Ben's nurse Zooey, the three navigate a world changing from analogue to digital while trying to put the past behind them.
The film's central themes revolve around family reconciliation, artistic legacy, and the bittersweet passage of time, which are inherently apolitical and focus on personal human experiences rather than any specific political ideology or societal critique.
The movie features a predominantly white main cast, consistent with traditional casting practices and without explicit DEI-driven race or gender swaps. Its narrative focuses on personal drama and a specific cultural moment, without explicitly critiquing traditional identities or centering strong DEI themes.
The film 'Kodachrome' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on family dynamics, photography, and mortality, without incorporating queer identities or experiences into the storyline.
Currently, there is not enough information to assess the film's portrayal of transsexual characters or themes. The provided details lack any mention or indication of such content, making it impossible to evaluate its net impact or provide a specific character arc or plot point.
The movie does not contain any action or adventure elements.
Kodachrome is an original film, not an adaptation, reboot, or biopic of characters with pre-established genders. All characters were created for this specific movie, thus no gender swaps occurred from prior canonical or historical representations.
Kodachrome (2017) is an original film, not an adaptation of pre-existing material or a biopic. Its characters were created for this specific production, meaning there is no prior canonical or historical racial depiction to be altered.
Combines user and critic ratings from four sources























