Viewer Rating
Combines user and critic ratings from four sources

Last Bullet (2025)
Car genius Lino returns to conclude his vendetta against Areski and the corrupt commander who ruined their lives in this turbo-charged trilogy finale.
Car genius Lino returns to conclude his vendetta against Areski and the corrupt commander who ruined their lives in this turbo-charged trilogy finale.
The film receives a neutral rating due to its focus on individual justice within a morally ambiguous and corrupt system, coupled with the director's explicit statement against carrying an explicit political message, preventing alignment with a clear ideological agenda.
The movie includes visible racial and gender diversity in its casting, notably with a Black French actress in a significant law enforcement role. However, its narrative primarily adheres to action-thriller conventions, focusing on themes of justice and corruption without explicitly engaging with broader DEI issues or offering a critical portrayal of traditional identities.
The film *Last Bullet* (2025) does not portray LGBTQ+ characters or themes. Reviews and plot summaries focus on its action sequences, crime narrative, and the protagonist's journey, indicating no depiction of the LGBTQ community within its storyline or character arcs.
Current information indicates that 'Last Bullet' (2025) does not feature identifiable transsexual characters or themes. There is no available data to suggest any depiction, positive or negative, of the transsexual community within the film's narrative, leading to an N/A rating for portrayal.
Publicly available information for *Last Bullet* emphasizes action sequences involving the male protagonist. There is no documentation or mention of female characters engaging in or winning close-quarters physical combat against male opponents. The female mechanic's role is described as supportive, not combative.
The film's characters are original creations for the *Lost Bullet* franchise, not adaptations of pre-existing material or historical figures. There is no indication of any character's on-screen gender differing from their established gender within the film's own canon or any source material.
The film is an original series with no prior source material, meaning its characters do not have a pre-established canonical race to be swapped from. The casting choices are consistent with the contemporary French setting and its diverse demographics.
Combines user and critic ratings from four sources























