8.9
Viewer Rating
Combines user and critic ratings from four sources
Lawrence of Arabia (1962)
Lawrence of Arabia (1962)
Overview
During World War I, English officer Thomas Edward 'T.E.' Lawrence sets out to unite and lead the diverse, often warring, Arab tribes to fight the Turks.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Race Swap: Yes
Islam: Positive
Viewer Rating
8.9
Overview
During World War I, English officer Thomas Edward 'T.E.' Lawrence sets out to unite and lead the diverse, often warring, Arab tribes to fight the Turks.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central narrative critiques the manipulative nature of colonial powers and the betrayal of promises made to indigenous populations, emphasizing the tragic struggle for self-determination amidst geopolitical machinations.
The film's casting reflects its historical and geographical context, featuring a diverse array of characters without intentionally altering traditionally white roles. The narrative explores themes of colonialism and the protagonist's complex identity, presenting a nuanced perspective rather than an explicit critique of traditional identities.
Secondary
The film subtly explores themes of ambiguous sexuality and homoerotic subtext through T.E. Lawrence's character and his relationships. While not explicitly depicting LGBTQ+ identity, these elements contribute to his complex psychological portrait and isolation. The portrayal is neutral, neither affirming nor denigrating, but rather an incidental aspect of a broader narrative on war and identity.
The film portrays historical Arab figures, such as Prince Feisal and Auda Abu Tayi, with actors of different racial backgrounds (Alec Guinness and Anthony Quinn, respectively). This constitutes a race swap.
The film portrays the Arab people, whose culture and identity are deeply rooted in Islam, with respect and dignity. Their faith is depicted as a significant and often unifying aspect of their lives, contributing to their resilience and moral code, without being critiqued by the narrative itself.
Lawrence of Arabia (1962) is a historical epic focusing on T.E. Lawrence's experiences during World War I. The film's extensive narrative and character arcs do not feature any identifiable transsexual characters or themes, resulting in no portrayal of transsexual identity.
The film is a historical epic centered on T.E. Lawrence and the Arab Revolt, featuring an overwhelmingly male cast in combat roles. No female characters are depicted participating in direct physical combat or defeating male opponents in such encounters.
Lawrence of Arabia is a historical epic depicting real historical figures and events. All major characters, based on documented historical individuals or established within the narrative, maintain their original gender portrayal without any instances of gender swapping.
Viewer Rating Breakdown
User Ratings
8.3
8.0
Critic Ratings
9.3
10.0
More Like This
Progressive
6.7
The Mission
(1986)
Political: Leans Left
Diversity: High
Leans Progressive
6.7
Lee
(2024)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.0
Suffragette
(2015)
Political: Strong Left
Diversity: Moderate
Leans Progressive
8.2
Casino Royale
(2006)
Political: Leans Right
Diversity: High
Leans Progressive
6.5
Never Say Never Again
(1983)
Political: Leans Right
Diversity: High
Leans Progressive
7.3
The Pirates! In an Adventure with Scientists!
(2012)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.0
When the Wind Blows
(1986)
Political: Strong Left
Diversity: Low
Leans Progressive
6.7
I Accuse!
(1958)
Political: Strong Left
Diversity: Low
Leans Progressive
7.3
The Emerald Forest
(1985)
Political: Strong Left
Diversity: Moderate
Leans Progressive
7.5
The Plague Dogs
(1982)
Political: Strong Left
Diversity: Moderate
Leans Progressive
8.1
Skyfall
(2012)
Political: Leans Right
Diversity: High
LGBTQ: Neutral
Leans Progressive
7.1
Made in Dagenham
(2010)
Political: Strong Left
Diversity: Moderate
Leans Progressive
9.0
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
(1964)
Political: Leans Left
Diversity: Moderate
Progressive
7.1
Mickey 17
(2025)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Center
7.1
A Mighty Heart
(2007)
Political: Center
Diversity: Moderate
Leans Progressive
7.9
Paddington
(2014)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.5
Harry Potter and the Order of the Phoenix
(2007)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.1
GoldenEye
(1995)
Political: Leans Right
Diversity: High
Female Combat: Yes
Center
7.7
Mrs. Harris Goes to Paris
(2022)
Political: Center
Diversity: Low
LGBTQ: Positive
Leans Progressive
9.9
Bobo & Bibi in Miami
(2025)
Political: Center
Diversity: Moderate
LGBTQ: Positive