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Leningrad Cowboys Meet Moses (1994)
After years of fame and misfortune in Mexico, the members of the Leningrad Cowboys decide to return to their native village. Their former manager Vladimir, who now calls himself Moses lead them on their way home.
After years of fame and misfortune in Mexico, the members of the Leningrad Cowboys decide to return to their native village. Their former manager Vladimir, who now calls himself Moses lead them on their way home.
The film offers a deadpan, absurdist satire of charismatic leadership and the human search for meaning, without promoting a specific political ideology or offering an ideologically-driven solution. Its critique is universal rather than partisan.
This film primarily features a traditional, predominantly white, male cast, consistent with its comedic road trip narrative about a fictional Finnish rock band. The story does not engage in explicit race or gender swaps of traditional roles, nor does it offer critical portrayals of traditional identities or center on explicit DEI themes.
The film 'Leningrad Cowboys Meet Moses' does not feature any discernible LGBTQ+ characters or themes. Its narrative focuses on the Leningrad Cowboys band's journey and their manager's eccentricities, without engaging with queer identity or experiences.
The film "Leningrad Cowboys Meet Moses" does not feature any identifiable transsexual characters or themes within its narrative. Plot summaries and character descriptions do not indicate any elements related to transsexual identity, leading to a determination of N/A for its portrayal.
The film does not feature any scenes where female characters engage in or win close-quarters physical combat against male opponents. The narrative focuses on a musical journey with comedic and dramatic elements, rather than action or physical confrontations.
The film features original characters created by the director, who maintain their established genders from the previous installment. No characters from prior canon or historical figures are portrayed with a different gender.
The film features original characters created by the director, continuing from a previous installment. There is no evidence of any character being established as one race in prior canon or history and then portrayed as a different race in this film.
Combines user and critic ratings from four sources























