8.0
Viewer Rating
Combines user and critic ratings from four sources
Little Women (1933)
Little Women (1933)
Overview
Four sisters come of age in America in the aftermath of the Civil War.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Viewer Rating
8.0
Overview
Four sisters come of age in America in the aftermath of the Civil War.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores universal themes of family, ambition, and societal expectations for women in the 19th century. It balances the desire for individual independence and self-expression with the enduring values of family loyalty and personal contentment, without explicitly promoting a specific political ideology.
The 1933 film adaptation of Little Women features a cast that is entirely white, aligning with the historical context of its source material and production era. The narrative presents traditional identities in a neutral or positive manner, without incorporating explicit critiques or modern diversity, equity, and inclusion themes.
Secondary
The film portrays Christianity as a foundational element of the March family's moral compass, guiding their acts of charity, resilience, and love. Their faith is depicted as a source of strength and comfort, affirming its virtues and dignity.
The 1933 film 'Little Women' is a period drama centered on the domestic lives and romantic pursuits of the March sisters. It does not feature any identifiable LGBTQ+ characters, relationships, or themes within its narrative, aligning with the social norms and storytelling conventions of its production era and source material.
George Cukor's 1933 adaptation of 'Little Women' does not feature any identifiable transsexual characters or themes. The story focuses on the coming-of-age experiences of the cisgender March sisters within their historical context, without addressing transgender identity.
The movie does not contain any action or adventure elements.
The 1933 film adaptation of Louisa May Alcott's novel "Little Women" maintains the established genders of all its main characters as depicted in the original source material. No significant characters were portrayed as a different gender.
The 1933 film "Little Women" adapts Louisa May Alcott's novel, which features characters canonically established as white. The cast of the 1933 film, including Katharine Hepburn as Jo and Joan Bennett as Amy, consists entirely of white actors portraying these characters. Therefore, no race swaps occurred.
Viewer Rating Breakdown
User Ratings
7.2
6.8
Critic Ratings
8.9
9.2
More Like This
Leans Traditional
6.5
Sylvia Scarlett
(1935)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.1
Cyrano
(1974)
Political: Center
Diversity: Low
Leans Traditional
9.7
The Miracle Worker
(1957)
Political: Center
Diversity: Low
Traditional
8.1
The Women
(1939)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
Homeward Borne
(1957)
Political: Center
Diversity: Low
Leans Traditional
8.8
Inside Out
(2015)
Political: Center
Diversity: Low
Traditional
7.2
David
(2025)
Political: Strong Right
Diversity: Moderate
Traditional
6.8
American Underdog
(2021)
Political: Strong Right
Diversity: Low
Traditional
7.6
The Sound of Music
(1965)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Where the Wild Things Are
(2009)
Political: Center
Diversity: Low
Traditional
7.3
Pollyanna
(1960)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
Dinner at Eight
(1933)
Political: Center
Diversity: Low
LGBTQ: Neutral
Traditional
6.6
The Wind in the Willows
(1983)
Political: Leans Right
Diversity: Low
Leans Traditional
8.3
A Fire Called Jeremiah
(1961)
Political: Center
Diversity: Low
Traditional
6.5
The Santa Clause
(1994)
Political: Leans Right
Diversity: Low
Leans Traditional
10.0
Marginalia
(2025)
Political: Center
Diversity: Low
Leans Traditional
7.2
Far From Home
(2003)
Political: Center
Diversity: Low
Leans Traditional
9.3
Greta, the Misfit Greyhound
(1963)
Political: Center
Diversity: Low
Leans Traditional
8.0
Brimstone, the Amish Horse
(1968)
Political: Center
Diversity: Low
Leans Traditional
7.4
A Woman's Face
(1941)
Political: Center
Diversity: Low