Progressive
7.4
Pachamama: Our Land
(1997)
Political: Strong Left
Diversity: High
Lofoten (1994)
Lofoten (1994)
Overview
The story begins on a hilltop, at an old castle that served as a German observation post in 1942. The traces of German fascism have also left their mark on this landscape.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Leans Left
Diversity: Low
Viewer Rating
Not Rated
Overview
The story begins on a hilltop, at an old castle that served as a German observation post in 1942. The traces of German fascism have also left their mark on this landscape.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film critically examines the social and environmental consequences of industrial fishing on the traditional community of Lofoten, highlighting the displacement of labor and the loss of sustainable practices due to economic modernization.
This documentary, set in the traditional Norwegian fishing industry of the 1960s, features a cast that accurately reflects the demographics of the community it portrays. The narrative focuses on the lives and work of these individuals without critiquing traditional identities or incorporating explicit diversity, equity, and inclusion themes.
Secondary
Based on the provided information, the film 'Lofoten' does not appear to feature any identifiable LGBTQ+ characters or themes. Consequently, there is no specific portrayal to evaluate under the Net Impact Framework.
Based on the provided information, the film 'Lofoten' (1994) does not appear to feature identifiable transsexual characters or themes, resulting in a determination of N/A for its portrayal.
The movie does not contain any action or adventure elements.
Lofoten is a 1994 documentary film by Peter Nestler. Documentaries typically feature real individuals or historical accounts rather than fictional characters with established canonical genders that could be subject to a gender swap.
Lofoten is a 1994 documentary film by Peter Nestler, focusing on the region of Lofoten, Norway. As a documentary, it observes real people and events rather than adapting fictional characters or portraying specific historical figures with pre-established racial identities. Therefore, the concept of a 'race swap' does not apply.
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