4.1
Viewer Rating
Combines user and critic ratings from four sources
Love Hurts (2025)
Love Hurts (2025)
Overview
A realtor is pulled back into the life he left behind after his former partner-in-crime resurfaces with an ominous message. With his crime-lord brother also on his trail, he must confront his past and the history he never fully buried.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Family Values: Mixed
Viewer Rating
4.1
Overview
A realtor is pulled back into the life he left behind after his former partner-in-crime resurfaces with an ominous message. With his crime-lord brother also on his trail, he must confront his past and the history he never fully buried.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The narrative centers on a former assassin pulled back into his dangerous past by a former partner seeking revenge against his crime lord brother. The film explores universal themes of personal redemption, confronting one's history, and the complexities of love amidst a backdrop of organized crime, without explicitly promoting a specific political ideology.
The movie features a diverse ensemble cast. Its narrative explores themes of authenticity and unexpected relationships, without explicitly critiquing traditional identities.
Secondary
Love Hurts focuses on individual redemption and the formation of romantic partnerships. The film does not provide sufficient narrative content to evaluate its stance on traditional or progressive family structures or norms.
There is not enough publicly available information for AI to assess this category for this movie.
Love Hurts, 2025 does not feature identifiable transsexual characters or themes within its narrative. Character descriptions and plot points do not indicate any specific portrayal of transsexual identity, leading to an assessment of no depiction.
There is not enough publicly available information for AI to assess this category for this movie.
Love Hurts (2025) does not feature any gender swaps. No characters in the film have an on-screen gender that differs from their established gender in source material or historical records.
This film features original characters created for this production. There is no prior source material, historical record, or previous installment establishing the race of any character. Therefore, no race swap has occurred.
Viewer Rating Breakdown
User Ratings
5.3
5.7
Critic Ratings
1.9
3.4
More Like This
Leans Traditional
7.5
The Stunt Man
(1980)
Political: Center
Diversity: Low
Leans Traditional
6.6
Buck Privates Come Home
(1947)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Great Race
(1965)
Political: Center
Diversity: Low
Leans Traditional
8.4
The General
(1926)
Political: Center
Diversity: Low
Center
7.3
The Fall Guy
(2024)
Political: Center
Diversity: Moderate
Leans Traditional
7.5
Grosse Pointe Blank
(1997)
Political: Center
Diversity: Low
Leans Progressive
7.5
Scott Pilgrim vs. the World
(2010)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Female Combat: Yes
Leans Traditional
7.1
Romancing the Stone
(1984)
Political: Center
Diversity: Low
Leans Traditional
7.7
On a Clear Day You Can See Forever
(1970)
Political: Center
Diversity: Low
Center
7.4
Jackass Forever
(2022)
Political: Center
Diversity: Moderate
Leans Traditional
8.5
Safety Last!
(1923)
Political: Center
Diversity: Low
Leans Traditional
7.3
Road to Singapore
(1940)
Political: Center
Diversity: Low
Center
7.3
The Unbearable Weight of Massive Talent
(2022)
Political: Center
Diversity: Moderate
Leans Traditional
6.7
The Grass Is Greener
(1960)
Political: Center
Diversity: Low
Leans Traditional
6.7
Walk Don't Run
(1966)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Bachelor and the Bobby-Soxer
(1947)
Political: Center
Diversity: Low
Center
8.1
Dinner in America
(2020)
Political: Leans Left
Diversity: Low
Center
6.6
The Lost City
(2022)
Political: Center
Diversity: Moderate
Center
6.6
Uptown Saturday Night
(1974)
Political: Center
Diversity: Moderate
Leans Progressive
8.9
Some Like It Hot
(1959)
Political: Leans Left
Diversity: Low
LGBTQ: Positive