3.9
Viewer Rating
Combines user and critic ratings from four sources
Man of the House (2005)
Man of the House (2005)
Overview
Texas Ranger Roland Sharp is assigned to protect the only witnesses to the murder of a key figure in the prosecution of a drug kingpin -- a group of University of Texas cheerleaders. Sharp must now go undercover as an assistant cheerleading coach and move in with the young women.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Christianity: Positive
Viewer Rating
3.9
Overview
Texas Ranger Roland Sharp is assigned to protect the only witnesses to the murder of a key figure in the prosecution of a drug kingpin -- a group of University of Texas cheerleaders. Sharp must now go undercover as an assistant cheerleading coach and move in with the young women.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's narrative champions a solution rooted in traditional values, discipline, and the protective role of a strong, authoritative male figure to address both external threats and internal character development, aligning with right-leaning themes.
The movie features a predominantly white main cast, consistent with traditional casting practices of its time, and does not include intentional race or gender swaps of established roles. Its narrative centers on family dynamics and comedy, portraying traditional identities in a neutral or positive manner without explicit critique or central DEI themes.
Secondary
The film portrays the cheerleaders' Christian faith as a genuine source of moral strength and community. Despite initial comedic clashes stemming from their sheltered upbringing, the narrative ultimately affirms the positive influence of their beliefs, leading the cynical protagonist to respect and appreciate their values.
The film "Man of the House" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a stepfather-stepson relationship and family dynamics, with no elements related to queer identity or experiences present in the story.
The film "Man of the House" (2005) does not feature any transsexual characters or themes. Its narrative focuses on a law enforcement officer's protective duties, with no elements related to transgender identity or experiences.
The film is a family comedy centered on a stepfather-stepson relationship. It does not feature any female characters participating in or winning direct physical combat against male opponents.
The film "Man of the House" (2005) features original characters created for this specific movie. There is no prior source material, historical record, or previous installments from which characters' genders could have been established and subsequently changed.
The film "Man of the House" (2005) features an original story and characters created specifically for this production. There are no pre-existing source materials or historical figures from which character races could have been established and subsequently altered.
Viewer Rating Breakdown
User Ratings
5.5
5.8
Critic Ratings
0.9
3.5
More Like This
Center
7.7
Men in Black
(1997)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.5
Grosse Pointe Blank
(1997)
Political: Center
Diversity: Low
Leans Traditional
7.0
Megamind
(2010)
Political: Center
Diversity: Low
Leans Traditional
6.7
Maverick
(1994)
Political: Center
Diversity: Low
Leans Traditional
7.0
Batman
(1966)
Political: Center
Diversity: Low
Leans Traditional
7.4
Tremors
(1990)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.0
Team America: World Police
(2004)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Traditional
7.9
The Ballad of Cable Hogue
(1970)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Emil and the Detectives
(1964)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Matador
(2005)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.4
The General
(1926)
Political: Center
Diversity: Low
Leans Traditional
7.1
Innerspace
(1987)
Political: Center
Diversity: Low
Leans Traditional
8.4
The Fugitive
(1993)
Political: Center
Diversity: Low
Leans Traditional
7.1
Romancing the Stone
(1984)
Political: Center
Diversity: Low
Leans Traditional
7.2
Thunderbolt and Lightfoot
(1974)
Political: Center
Diversity: Low
Leans Traditional
7.4
The In-Laws
(1979)
Political: Center
Diversity: Low
Leans Traditional
6.5
The Ministry of Ungentlemanly Warfare
(2024)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.0
Miami Blues
(1990)
Political: Center
Diversity: Low
Traditional
6.5
Smokey and the Bandit
(1977)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Pineapple Express
(2008)
Political: Center
Diversity: Low