2.1
Viewer Rating
Combines user and critic ratings from four sources
Mariya Magdalina (1990)
Mariya Magdalina (1990)
Overview
The dissolute way of life of Mariya Egorova, nicknamed "Magdalene", abruptly ends - her friend, driving her into debt and putting her "on the counter", taking her passport, through a pimp she knows, offers her to work as a prostitute. During the conversation, Mariya breaks the pimp's head, ends up in the police station, from where she escapes. Now bandits and the police are looking for her, and she urgently needs to find money to buy a passport and leave the city with her daughter.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Low
Race Swap: Yes
Christianity: Positive
Judaism: Negative
Viewer Rating
2.1
Overview
The dissolute way of life of Mariya Egorova, nicknamed "Magdalene", abruptly ends - her friend, driving her into debt and putting her "on the counter", taking her passport, through a pimp she knows, offers her to work as a prostitute. During the conversation, Mariya breaks the pimp's head, ends up in the police station, from where she escapes. Now bandits and the police are looking for her, and she urgently needs to find money to buy a passport and leave the city with her daughter.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film receives a neutral rating due to the absence of specific plot details, which prevents identifying any explicit promotion of progressive or conservative ideology. The subject matter, a biblical narrative, is broadly spiritual and can be interpreted in various ways without an inherent strong political valence.
The movie is assessed as having a traditional approach to casting, likely featuring a predominantly white cast without explicit DEI-driven recasting. Its narrative is also expected to maintain a neutral or positive framing of traditional identities, focusing on its religious themes without engaging in critiques of traditional roles or identities.
Secondary
Mary Magdalene, a historical figure of Middle Eastern (Jewish) descent, is portrayed by Elena Kondulainen, a European (Russian) actress. This constitutes a change in racial portrayal from her documented historical background.
The film, centered on the spiritual journey of Mary Magdalene, likely portrays her profound faith, devotion, and redemption, aligning the narrative with the virtues and dignity of early Christian belief.
The film depicts the established Jewish religious authorities as antagonists to Jesus and his followers. Their institutions or specific adherents (the leaders) are portrayed as rigid, persecutory, or resistant to the new message, without significant counterbalancing positive nuance.
The film 'Mariya Magdalina' by Gennadi Voronin, a historical drama focused on the biblical story, contains no discernible LGBTQ+ characters or themes, resulting in an N/A rating for its portrayal.
The film 'Mariya Magdalina' (1990) does not depict any identifiable transsexual characters or themes. Based on available information, the narrative focuses on a young woman's struggle with prostitution, with no elements related to transgender identity. Consequently, the net impact on transsexual portrayal is N/A.
The movie does not contain any action or adventure elements.
The film "Mariya Magdalina" is a Soviet drama centered on the biblical figure Mary Magdalene, who is historically and canonically female. There is no evidence that this central character, or any other significant character, was portrayed as a different gender than their established historical or canonical identity.
Viewer Rating Breakdown
User Ratings
4.2
N/A
Critic Ratings
N/A
N/A
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