6.3
Viewer Rating
Combines user and critic ratings from four sources
Markadong Hudas (1994)
Markadong Hudas (1994)
Overview
Daniel Braganza is the leading assassin of a big crime syndicate, a killer totally bereft of a conscience, thereby earning the nickname of Markadong Hudas. Unknown to the underworld, Daniel is only doing his job to earn big amounts of money to save the life of his young daughter who is very sick and needs expensive care.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Not Rated
Diversity: Low
Christianity: Positive
Viewer Rating
6.3
Overview
Daniel Braganza is the leading assassin of a big crime syndicate, a killer totally bereft of a conscience, thereby earning the nickname of Markadong Hudas. Unknown to the underworld, Daniel is only doing his job to earn big amounts of money to save the life of his young daughter who is very sick and needs expensive care.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The provided movie details and lack of plot information or thematic summaries make it impossible to assess the film's central conflict, thematic evidence, or proposed solutions, thus preventing a determination of political bias.
This 1994 Filipino film features traditional casting for its cultural context, utilizing prominent Filipino actors without indications of intentional race or gender swaps of traditionally white roles. The narrative does not appear to critically portray traditional identities or center on explicit DEI themes.
Secondary
The film's title, 'Markadong Hudas' (Marked Judas), strongly implies a narrative centered on themes of betrayal and moral consequence, framed within a Christian context. By condemning the 'Judas' figure's actions, the film likely affirms Christian moral principles regarding sin, repentance, and justice.
There is insufficient information available to assess the portrayal of LGBTQ+ characters or themes in the film "Markadong Hudas, 1994." Without specific plot details or character descriptions related to queer identity, a determination of positive, negative, or neutral impact cannot be made.
Currently, there is not enough information available to assess the portrayal of transsexual characters or themes in 'Markadong Hudas, 1994'. Without plot details or character descriptions, it is impossible to determine if such elements are present or how they are depicted, making a definitive rating unfeasible.
Information regarding specific fight scenes or the detailed roles of female characters in physical combat within "Markadong Hudas, 1994" is not available. Without plot details or scene descriptions, it is not possible to determine if any female character defeats male opponents in direct physical combat.
There is no information provided regarding source material, previous adaptations, or historical context for the characters in "Markadong Hudas, 1994." Without this baseline, it is impossible to determine if any character's gender was altered from an established canon.
There is no information provided about source material, previous adaptations, or historical figures for "Markadong Hudas, 1994." Without this baseline, it is impossible to determine if any character's race was changed from an established canon.
Viewer Rating Breakdown
User Ratings
6.7
6.0
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
7.3
Cobra
(1997)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.8
Rewind
(2023)
Political: Leans Right
Diversity: Moderate
Traditional
7.9
Little Caesar
(1931)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
Vanishing Point
(1971)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Traditional
7.0
Hard Times
(1975)
Political: Leans Right
Diversity: Low
Leans Traditional
8.1
Bob le Flambeur
(1956)
Political: Center
Diversity: Low
Leans Traditional
8.1
Heat
(1995)
Political: Center
Diversity: Low
Leans Traditional
7.2
Sarkar
(2005)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.3
Marathon Man
(1976)
Political: Center
Diversity: Low
Leans Traditional
6.8
Magnum Force
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.7
Léon: The Professional
(1994)
Political: Center
Diversity: Low
Leans Traditional
7.0
Miami Blues
(1990)
Political: Center
Diversity: Low
Traditional
7.1
Tokyo Revengers
(2021)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
Charley Varrick
(1973)
Political: Center
Diversity: Low
Leans Traditional
6.7
Salaar: Part 1 - Ceasefire
(2023)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Matador
(2005)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.9
The Dark Knight
(2008)
Political: Leans Right
Diversity: Moderate
Center
7.9
Batman Begins
(2005)
Political: Leans Right
Diversity: Moderate
Traditional
6.8
Patriot Games
(1992)
Political: Leans Right
Diversity: Low
Center
7.5
Batman: Mask of the Phantasm
(1993)
Political: Center
Diversity: Low
Female Combat: Yes