Viewer Rating
Combines user and critic ratings from four sources

Tinā (2025)
A woman grieving her daughter's death in the Christchurch earthquakes, becomes a substitute teacher at an elite private school. Unexpectedly, she discovers students lacking guidance and care, prompting her to provide inspiration and support.
A woman grieving her daughter's death in the Christchurch earthquakes, becomes a substitute teacher at an elite private school. Unexpectedly, she discovers students lacking guidance and care, prompting her to provide inspiration and support.
The film explores universal themes of grief, healing, and community, focusing on a teacher who finds purpose by inspiring students through cultural expression. It champions personal growth and human connection as solutions to individual and communal challenges, without explicitly promoting a specific political ideology.
The film centers on a Samoan teacher navigating an elite, predominantly white private school, showcasing Samoan culture and a Pacific Islander perspective. It explores themes of grief and cultural identity within a new environment, though some narrative elements suggest a dynamic where the protagonist's journey aids a white student.
The film portrays a mother's journey through profound grief, culminating in the formation of a significant surrogate maternal bond with a student. This narrative emphasizes the evolving nature of family connections beyond biological ties and explores the complexities within parent-child relationships.
There is not enough publicly available information for AI to assess this category for this movie.
Tinā (2025) does not feature identifiable transsexual characters or themes. The film's narrative contains no elements related to gender and sexual transformation, indicating no depiction of transsexual identities or experiences within its scope.
The movie does not contain any action or adventure elements.
The film Tinā does not feature any gender-swapped characters. All characters are portrayed on screen with the same gender as established in their source material or historical record.
Tinā features original characters whose racial identities are established within the film. There is no indication that any character was previously established as a different race in source material, prior adaptations, or historical record before their portrayal in this production.
Combines user and critic ratings from four sources























