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Nina Simone: Live in Antibes - July 24th, 1965 (1965)
Nina Simone: Live in Antibes - July 24th, 1965 (1965)
Overview
Nina Simone live at Jazz à Juan — the International Jazz Festival in Juan-les-Pins, Antibes, France on July 24th, 1965. Nina performed twice at Jazz à Juan in 1965: on July 24th and July 25th. This is the full recording of Nina's first concert that year. Nina appears with Lisle Atkinson (on bass), Rudy Stevenson (on guitar & flute) and Bobby Hamilton (on drums)
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
Not Rated
Overview
Nina Simone live at Jazz à Juan — the International Jazz Festival in Juan-les-Pins, Antibes, France on July 24th, 1965. Nina performed twice at Jazz à Juan in 1965: on July 24th and July 25th. This is the full recording of Nina's first concert that year. Nina appears with Lisle Atkinson (on bass), Rudy Stevenson (on guitar & flute) and Bobby Hamilton (on drums)
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, intergenerational family conflict and the challenges faced by a daughter-in-law, is a common human drama that does not inherently align with a specific political ideology. Without further plot details, there is no clear indication of the film explicitly promoting either progressive or conservative solutions to the depicted problems.
Due to the absence of specific movie content details, the evaluation of DEI characteristics is based on a neutral assumption. There is no information to suggest explicit DEI-driven casting or narrative choices, nor is there evidence of a strong traditional framing or critique of traditional identities.
Secondary
Based on the provided information, there is no content available to assess the portrayal of LGBTQ+ characters or themes in the film {难为了家嫂}. Therefore, no depiction can be identified.
The film "Americans on Everest" (1965) is a documentary about mountaineering. There are no identifiable transsexual characters or themes present in the narrative. Therefore, the film has no depiction relevant to transsexual identity or experiences.
The movie does not contain any action or adventure elements.
Without information regarding source material, prior adaptations, or historical figures for this 1965 film, it is not possible to identify any characters who were previously established as one gender and then portrayed as another.
This 1965 Hong Kong Cantonese opera film features traditional Chinese characters portrayed by East Asian actors, consistent with the source material and cultural context. There is no evidence of any character canonically established as one race being depicted as a different race.
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