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Nobody (2025)
The Little Pig Yao decides to leave Langlang Mountain to join the pilgrimage. On the journey west, what trials will the little monsters face? In the end, will they achieve their dreams and live as they truly desire?
The Little Pig Yao decides to leave Langlang Mountain to join the pilgrimage. On the journey west, what trials will the little monsters face? In the end, will they achieve their dreams and live as they truly desire?
The film is rated neutral as its narrative centers on universal themes of personal growth, self-discovery, and teamwork among underdog characters, drawing from traditional Chinese folklore without engaging in contemporary political ideologies or allegories.
The movie is a Chinese animated production that focuses on universal workplace and socioeconomic challenges, elevating minor characters from its source material. There is no explicit discussion of DEI themes or messaging, nor is there a critique of traditional identities as understood in a Western context.
Based on available information, the film 'Nobody, 2025' does not contain any identifiable LGBTQ+ characters or themes. Plot descriptions and reviews focus on its comedic elements, animation style, and general themes of personal and professional struggles, without any mention of queer representation.
The film 'Nobody, 2025' focuses on animal spirits impersonating characters from 'Journey to the West' in a comedic, folklore-inspired narrative. There is no information available that describes any transsexual characters or themes of gender transformation within the movie's plot or reviews, resulting in an N/A rating for transsexual portrayal.
Available information for the animated movie *Nobody* indicates that its protagonists are male animal spirits on a comedic quest. No combat scenes featuring female characters engaging in physical combat with male opponents are described in the sources.
The film *Nobody* (2025) depicts minor demons from *Journey to the West* as consistently male, aligning with their established genders in the original novel. No characters have on-screen genders that differ from their source material.
The film features animated animal spirits from Chinese folklore, consistent with their portrayal as mythical beasts in the source material, Journey to the West. As these characters are not human, the concept of a "race swap" does not apply.
Combines user and critic ratings from four sources























