Viewer Rating
Combines user and critic ratings from four sources
Action, Crime, Thriller • 2026 • 91 min • Adults (18+)

Normal is a 2026 action thriller directed by Ben Wheatley, starring Bob Odenkirk as a substitute sheriff whose routine bank robbery call unravels into something considerably larger and more dangerous beneath the surface of a small American town. The Leans Progressive label is driven primarily by the film's thoughtful inclusion of a trans nonbinary character given genuine agency and quiet acceptance within the narrative, without reducing the role to a statement or spectacle. Supporting casting reflects visible diversity across the ensemble. Political framing stays relatively neutral, centering individual resolve over ideology, and family values register as mixed given a peripheral, troubled domestic backdrop. Christianity receives a mildly negative framing, nudging the balance further left.
Bob Odenkirk • Ryan Allen • Billy MacLellan
Normal is a 2026 action thriller directed by Ben Wheatley, starring Bob Odenkirk as a substitute sheriff whose routine bank robbery call unravels into something considerably larger and more dangerous beneath the surface of a small American town. The Leans Progressive label is driven primarily by the film's thoughtful inclusion of a trans nonbinary character given genuine agency and quiet acceptance within the narrative, without reducing the role to a statement or spectacle. Supporting casting reflects visible diversity across the ensemble. Political framing stays relatively neutral, centering individual resolve over ideology, and family values register as mixed given a peripheral, troubled domestic backdrop. Christianity receives a mildly negative framing, nudging the balance further left.
Bob Odenkirk • Ryan Allen • Billy MacLellan
The central conflict of foreign-backed criminal control over a seemingly ordinary American town is resolved through one man's armed stand against collective corruption rather than systemic reform or ideological framing.
Casting incorporates visible diversity across supporting roles including Black, Caribbean Canadian, Asian, and trans/nonbinary performers without recasting traditionally white leads. The narrative treats a trans/nonbinary character with minimal emphasis and avoids any explicit negative framing of traditional identities.
A trans nonbinary character receives thoughtful, seamless inclusion with agency and external obstacles framed respectfully. The portrayal validates queer identity through supportive interactions and plot integration without tokenism or degradation.
The film features a trans nonbinary character, Alex, depicted with dignity and agency as a capable ally who receives empathetic support from the lead. A key conversation underscores quiet acceptance of their identity amid external prejudice, contributing to an affirming secondary arc without centering the narrative on it.
The film shows a protagonist estranged from his spouse as background to his temporary posting, with family relationships appearing only peripherally and without endorsement or critique of traditional structures.
A deputy falsely presents violent criminals as a Protestant pastor and congregants to deceive others.
No female characters defeat male opponents in direct physical combat. Action consists of gunfights, shootouts, and chaotic melee involving townspeople and Yakuza, with women participating via firearms or as supporting figures but without described close-quarters victories over men.
No gender swap occurs. All named characters are original creations with no canonical predecessors in prior source material, adaptations, or historical records whose genders are altered on screen.
The film features an entirely original cast of characters with no established racial baselines from prior canon, source material, or historical figures. No race swaps occur.
Combines user and critic ratings from four sources























