Viewer Rating
Combines user and critic ratings from four sources

Nosferatu (2024)
A gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.
A gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.
The film's central thesis explicitly promotes progressive ideology by critiquing capitalism, systemic corruption, and societal alienation, urging viewers to critically examine the social order and its inherent inequalities.
The movie explores social themes such as patriarchal pressures and incorporates elements of female sexuality and homoeroticism within its narrative. Based on the available information, the casting appears to follow traditional patterns.
Nosferatu (2024) includes subtle but affirming LGBTQ+ themes, particularly through homoeroticism in the friendship between Ellen and Anna, and open exploration of female sexuality. These elements enrich the narrative, add depth to characters, and challenge genre conventions, contributing positively to the film's portrayal of diverse intimacy and identity.
The film portrays Christianity as largely ineffective against evil, with its symbols and prayers failing to protect characters. The narrative suggests God's presence is absent or silent, and salvation is achieved through sacrifice and blood rather than traditional faith.
The 2024 film *Nosferatu* by Robert Eggers does not include any identifiable transsexual characters or themes. Reviews indicate an absence of transsexual representation, focusing instead on the film's heteronormative approach without referencing transsexual identity or experience as part of its content.
The movie does not contain any action or adventure elements.
The provided information explicitly states the film "does not prominently feature gender swaps." While it critically examines traditional gender roles, no major character established as one gender in source material is portrayed as a different gender in this adaptation.
The film features an almost entirely white cast, reflecting its historical setting. The only non-white actor mentioned is in a brief, unnamed role as a dockhand, which does not constitute a race swap of a canonically or historically established character.
Combines user and critic ratings from four sources























