Viewer Rating
Combines user and critic ratings from four sources
Drama, Crime • 2022 • 117 min

A Neapolitan man returns home after forty years abroad to care for his dying mother, only to find his childhood friend has become a crime boss. Director Mario Martone grounds the film in the Rione Sanità district, a neighborhood where family loyalty, Catholic faith, and community roots function as moral anchors. The story treats those anchors seriously rather than ironically. Multigenerational bonds drive the drama. Religion appears as a genuine social force, not a target for critique. There is no political framing, no identity politics, and no progressive corrective built into the narrative. The result is a film that sits comfortably in traditional Italian cultural values, earning a Leans Traditional label without much friction.
Pierfrancesco Favino • Francesco Di Leva • Tommaso Ragno
A Neapolitan man returns home after forty years abroad to care for his dying mother, only to find his childhood friend has become a crime boss. Director Mario Martone grounds the film in the Rione Sanità district, a neighborhood where family loyalty, Catholic faith, and community roots function as moral anchors. The story treats those anchors seriously rather than ironically. Multigenerational bonds drive the drama. Religion appears as a genuine social force, not a target for critique. There is no political framing, no identity politics, and no progressive corrective built into the narrative. The result is a film that sits comfortably in traditional Italian cultural values, earning a Leans Traditional label without much friction.
Pierfrancesco Favino • Francesco Di Leva • Tommaso Ragno
The film primarily focuses on apolitical themes of memory, identity, and personal reckoning within a complex social context, without explicitly promoting or critiquing specific political ideologies from either the left or the right.
The movie features traditional casting that reflects its specific Italian cultural setting, with no apparent intentional race or gender swaps of roles. Its narrative focuses on personal drama and cultural themes, without explicitly critiquing traditional identities or making DEI themes central to the story.
The film strongly emphasizes multigenerational family bonds, the importance of one's origins and community as an extended family, and the positive role of religion within that community, portraying these traditional aspects of family life positively.
The film prominently features Don Luigi Rega, a Catholic priest, as a virtuous and courageous figure working to help the community and combat the Camorra. His faith is portrayed as a source of strength and moral guidance, embodying positive values.
The film 'Nostalgia' does not feature any identifiable LGBTQ+ characters or explore related themes. Its narrative centers on a man's return to his hometown and his engagement with personal history and local dynamics, without incorporating queer identities or experiences into its story.
The film "Nostalgia" does not feature any identifiable transgender characters or explore transgender themes within its narrative. The story primarily focuses on Felice Lasco's return to his hometown of Naples, his reconnection with his past, and his interactions with family and an old friend. There are no plot points or character arcs related to transsexual identity.
The movie does not contain any action or adventure elements.
The film "Nostalgia" is an adaptation of Ermanno Rea's novel. All major characters, including Felice Lasco, Don Luigi, and Oreste, maintain the same gender as established in the original source material. No character's gender was altered for the screen adaptation.
The film is an adaptation of an Italian novel, set in Naples, Italy. The main characters, originally depicted as Italian, are portrayed by Italian actors, maintaining their established racial and ethnic identities from the source material.
Not depicted in the film.
Combines user and critic ratings from four sources























