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Once Upon a Time in China and America (1997)
So goes to the U.S. to open a martial arts school. Around this time, many Chinese people were sold off to U.S. railroad companies, and were brutally treated by the Americans under the harsh working conditions. Thus, the American workers' hatred towards the Chinese immigrants is high. As a result, So gets into trouble with the Americans and the mob, and calls Master Wong for help.
So goes to the U.S. to open a martial arts school. Around this time, many Chinese people were sold off to U.S. railroad companies, and were brutally treated by the Americans under the harsh working conditions. Thus, the American workers' hatred towards the Chinese immigrants is high. As a result, So gets into trouble with the Americans and the mob, and calls Master Wong for help.
The film's central narrative critiques historical racial discrimination and xenophobia against Chinese immigrants in 19th-century America, championing their struggle for dignity and cultural preservation through individual heroism and community solidarity.
The movie features a cast primarily composed of East Asian actors, aligning with its cultural context and characters, without explicit race or gender swaps of traditionally white roles. However, its narrative explicitly critiques traditional identities by portraying certain white characters negatively as antagonists, highlighting themes of racial prejudice and exploitation against Chinese immigrants and Native Americans.
The film 'Once Upon a Time in China and America' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on martial arts, cultural adaptation, and historical events in the American West, without engaging with queer identity in any capacity.
The film 'Once Upon a Time in China and America' does not include any identifiable transsexual characters or themes within its storyline. Consequently, there is no portrayal to evaluate as positive, negative, or neutral.
The film features female characters like Aunt Thirteen and Sarah, a Native American woman. While they are present during action sequences and contribute to the plot, neither character engages in or wins direct physical combat against male opponents using martial arts, hand-to-hand techniques, or melee weapons.
This film is part of a series featuring established characters like Wong Fei-hung and Thirteenth Aunt. All major characters maintain their canonical and historically recognized genders from previous installments and source material.
The film features established characters like Wong Fei-hung, who are consistently portrayed by actors of their historically and canonically established East Asian race. New characters introduced for the American setting do not have prior canonical racial identities to be swapped.
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