6.9
Viewer Rating
Combines user and critic ratings from four sources
Swordsman (1990)
Swordsman (1990)
Overview
A kung-fu manual known as the Sacred Scroll is stolen from the Emperor's library. An army detachment is sent to recover it. Meanwhile, a young swordsman and his fellow disciple are accidentally drawn into the chaos.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Female Combat: Yes
Buddhism: Positive
Viewer Rating
6.9
Overview
A kung-fu manual known as the Sacred Scroll is stolen from the Emperor's library. An army detachment is sent to recover it. Meanwhile, a young swordsman and his fellow disciple are accidentally drawn into the chaos.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film explores universal themes of power corruption and the individual's struggle for freedom against oppressive systems, championing personal integrity and the rejection of ambition over specific political ideologies or systemic change.
The movie features an entirely East Asian cast, which is traditional for its genre and setting, and does not involve explicit recasting of traditionally white roles. Its narrative focuses on martial arts and political intrigue without explicitly critiquing traditional identities or centering on modern DEI themes.
Secondary
The film features multiple female characters who are highly proficient in martial arts and sword fighting. These characters are repeatedly shown engaging in and winning close-quarters physical combat against one or more male opponents throughout the movie.
The film portrays Buddhist monastic figures and temples with respect, often associating them with wisdom, powerful martial arts, and a moral compass within the chaotic martial world. The narrative generally upholds the dignity of these figures and their associated virtues.
The film 'Swordsman' (1990) does not feature any identifiable LGBTQ+ characters or themes. Its plot revolves around traditional wuxia elements, focusing on martial arts sects, power struggles, and personal loyalties, with no explicit or implicit LGBTQ+ representation.
Swordsman (1990) does not depict any identifiable transsexual characters or themes. While the narrative includes eunuchs, their portrayal focuses on political power and martial arts, not on gender identity or transition as understood by the rubric. Consequently, there is no relevant depiction to evaluate.
The film adapts Louis Cha's novel "The Smiling, Proud Wanderer." All major characters, including Dongfang Bubai, are portrayed with the same gender as established in the source material, thus no gender swaps occur.
The film "Swordsman" (1990) is a Hong Kong wuxia adaptation of a Chinese novel, featuring a cast of Chinese actors portraying characters who are canonically Chinese. There are no instances where a character's established race from the source material was changed in the film.
Viewer Rating Breakdown
User Ratings
6.8
7.0
Critic Ratings
N/A
N/A
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