5.1
Viewer Rating
Combines user and critic ratings from four sources
One Eight Seven (1997)
One Eight Seven (1997)
Overview
After surviving a stabbing by a student, teacher Trevor Garfield moves from New York to Los Angeles. There, he resumes teaching as a substitute teacher.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Leans Right
Diversity: Moderate
Viewer Rating
5.1
Overview
After surviving a stabbing by a student, teacher Trevor Garfield moves from New York to Los Angeles. There, he resumes teaching as a substitute teacher.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's dominant themes align with right-leaning values by portraying the failure of institutions to maintain order and protect individuals, ultimately championing individual, punitive action as the solution to systemic breakdown.
The film features visible diversity in its cast, particularly reflecting its urban school setting, without explicitly recasting traditionally white roles. Its narrative focuses on systemic challenges and individual struggles within that environment, rather than offering a critique of traditional identities or making explicit DEI themes central to the story.
Secondary
The film "One Eight Seven" does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered on crime, education, and vigilantism, resulting in no portrayal of LGBTQ+ individuals or issues.
The film "One Eight Seven" does not feature any identifiable transsexual characters or themes within its narrative. Consequently, there is no portrayal of trans identity to evaluate against the provided rubric.
The movie does not contain any action or adventure elements.
This film is an original story with characters created specifically for it. There are no pre-existing canonical or historical characters from source material to compare against, thus no gender swaps occur.
This film is an original story and not an adaptation of pre-existing material with established characters or a biopic of historical figures. All characters were created for this specific film, thus there is no prior canonical or historical racial baseline to constitute a race swap.
Viewer Rating Breakdown
User Ratings
6.6
6.7
Critic Ratings
3.1
4.1
More Like This
Leans Traditional
7.2
The Count of Monte Cristo
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.4
The Beguiled
(1971)
Political: Center
Diversity: Low
Leans Traditional
7.6
End of Watch
(2012)
Political: Leans Right
Diversity: Moderate
Traditional
6.7
Madigan
(1968)
Political: Leans Right
Diversity: Low
Leans Traditional
8.1
In the Bedroom
(2001)
Political: Center
Diversity: Low
Center
8.2
Mystic River
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.9
Pig
(2021)
Political: Center
Diversity: Low
Leans Traditional
6.5
The Lodge
(2020)
Political: Center
Diversity: Low
Leans Traditional
8.0
Before the Devil Knows You're Dead
(2007)
Political: Center
Diversity: Low
Leans Traditional
6.7
Stillwater
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.6
The Impossible
(2012)
Political: Center
Diversity: Low
Leans Traditional
8.1
Escape from Alcatraz
(1979)
Political: Center
Diversity: Low
Leans Traditional
8.1
Five Graves to Cairo
(1943)
Political: Center
Diversity: Low
Leans Traditional
8.3
Argo
(2012)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
Chappaquiddick
(2018)
Political: Center
Diversity: Low
Traditional
6.5
Stoker
(2013)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.5
Room
(2015)
Political: Center
Diversity: Low
Leans Traditional
7.6
Juror #2
(2024)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.0
Bridge of Spies
(2015)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Machinist
(2004)
Political: Center
Diversity: Low