7.8
Viewer Rating
Combines user and critic ratings from four sources
The Lady from Shanghai (1947)
The Lady from Shanghai (1947)
Overview
A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
7.8
Overview
A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores universal themes of deception, moral corruption, and the predatory nature of human relationships, particularly within a wealthy, cynical environment. While it critiques the corrupting influence of greed, its focus remains on individual moral failings and a cynical view of human nature, offering no systemic solutions or explicit political agenda.
The movie features a predominantly white cast, reflecting the casting norms of its production era, without intentional race or gender swaps. Its narrative, a classic film noir, focuses on themes of deception and moral ambiguity, and does not explicitly critique or negatively frame traditional identities.
Secondary
The film "The Lady from Shanghai" does not feature any discernible LGBTQ+ characters or themes. Its narrative focuses on heterosexual relationships, crime, and intrigue, with no elements that fall under the scope of LGBTQ+ representation as defined by the rubric.
The movie does not contain any action or adventure elements.
The film "The Lady from Shanghai" is an adaptation of Sherwood King's novel "If I Die Before I Wake." All major characters in the film retain the same gender as established in the original source material.
The film is an adaptation of the novel "If I Die Before I Wake." A review of the main characters in the source material and their portrayal in the 1947 film reveals no instances where a character's established race was changed.
Viewer Rating Breakdown
User Ratings
7.5
7.3
Critic Ratings
8.6
N/A
More Like This
Leans Traditional
7.8
The Trial
(1962)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Deep End
(2001)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
6.9
Primal Fear
(1996)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Leans Traditional
7.0
The Pledge
(2001)
Political: Center
Diversity: Low
Center
8.2
Mystic River
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.7
The Last of Sheila
(1973)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
9.0
Citizen Kane
(1941)
Political: Center
Diversity: Low
Leans Traditional
8.0
The Stranger
(1946)
Political: Center
Diversity: Low
Leans Traditional
7.0
Jesse Stone: Benefit of the Doubt
(2012)
Political: Leans Right
Diversity: Low
Leans Traditional
8.4
The Conversation
(1974)
Political: Center
Diversity: Low
Leans Traditional
7.9
A History of Violence
(2005)
Political: Center
Diversity: Low
Leans Traditional
7.1
Farewell, My Lovely
(1975)
Political: Center
Diversity: Low
Leans Traditional
8.5
Fargo
(1996)
Political: Center
Diversity: Low
Leans Traditional
8.8
The Silence of the Lambs
(1991)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Leans Traditional
6.8
Sleepers
(1996)
Political: Center
Diversity: Low
Leans Traditional
7.1
Vanishing Point
(1971)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Leans Traditional
6.7
Stillwater
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.1
And Then There Were None
(1945)
Political: Center
Diversity: Low
Leans Traditional
6.7
Natural Born Killers
(1994)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Center
7.9
Gone Baby Gone
(2007)
Political: Center
Diversity: Low