6.5
Viewer Rating
Combines user and critic ratings from four sources
Our Dancing Daughters (1928)
Our Dancing Daughters (1928)
Overview
A flapper who's secretly a good girl and a gold-digging floozy masquerading as an ingénue both vie for the hand of a millionaire.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.5
Overview
A flapper who's secretly a good girl and a gold-digging floozy masquerading as an ingénue both vie for the hand of a millionaire.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores the social changes of the 'flapper' era, critiquing superficiality and promoting individual virtue and genuine relationships without explicitly endorsing or condemning broader progressive or conservative ideologies, leading to a neutral rating.
This 1928 film features a primarily traditional cast, reflecting the common casting practices of its era. The narrative, centered on Jazz Age flapper culture, does not incorporate explicit DEI themes or offer a critique of traditional identities.
Secondary
Our Dancing Daughters is a 1928 pre-Code film centered on flapper culture and heterosexual romantic entanglements. It does not feature any identifiable LGBTQ+ characters, relationships, or themes within its narrative, resulting in no portrayal of queer identity.
The 1928 film 'Our Dancing Daughters' centers on the social lives and romantic entanglements of young flappers during the Jazz Age. The narrative does not feature any identifiable transsexual characters or themes, nor does it engage with transgender identity in any capacity.
The movie does not contain any action or adventure elements.
Our Dancing Daughters (1928) is an original film, not an adaptation or reboot. All characters were created for this production, meaning there is no prior canonical gender to be swapped from.
Our Dancing Daughters (1928) is an original film and not an adaptation of pre-existing material with established character races, nor is it a biopic. Therefore, no characters could have been race-swapped from a prior canon or historical record.
Viewer Rating Breakdown
User Ratings
6.7
6.2
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.4
The Unknown
(1927)
Political: Center
Diversity: Low
Leans Traditional
6.9
Sadie McKee
(1934)
Political: Center
Diversity: Low
Traditional
6.9
Possessed
(1931)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
Daisy Kenyon
(1947)
Political: Center
Diversity: Low
Leans Traditional
7.7
Grand Hotel
(1932)
Political: Center
Diversity: Low
Leans Traditional
8.2
Barry Lyndon
(1975)
Political: Center
Diversity: Low
Traditional
6.8
Closer
(2004)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.0
Licorice Pizza
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Traditional
8.8
Sunrise: A Song of Two Humans
(1927)
Political: Leans Right
Diversity: Low
Traditional
8.2
Forrest Gump
(1994)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
A Star Is Born
(1937)
Political: Center
Diversity: Low
Leans Traditional
6.9
In Good Company
(2004)
Political: Center
Diversity: Low
Traditional
8.4
My Darling Clementine
(1946)
Political: Leans Right
Diversity: Low
Traditional
8.2
The Quiet Man
(1952)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
The Great Ziegfeld
(1936)
Political: Center
Diversity: Low
Leans Traditional
8.4
The African Queen
(1952)
Political: Center
Diversity: Low
Leans Traditional
8.8
The Apartment
(1960)
Political: Center
Diversity: Low
Leans Traditional
8.3
Mildred Pierce
(1945)
Political: Center
Diversity: Low
Leans Traditional
6.9
Madame Bovary
(1949)
Political: Center
Diversity: Low
Leans Traditional
8.5
Before Sunrise
(1995)
Political: Center
Diversity: Low