8.8
Viewer Rating
Combines user and critic ratings from four sources
The Best Years of Our Lives (1946)
The Best Years of Our Lives (1946)
Overview
It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Judaism: Positive
Viewer Rating
8.8
Overview
It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film objectively portrays the profound struggles of World War II veterans returning home, critiquing societal indifference and economic systems, but ultimately champions individual resilience, the strength of family, and community support as primary solutions, leading to a neutral rating.
This 1946 film features a predominantly white cast, consistent with the era's casting practices, and does not include intentional race or gender swaps. The narrative centers on the experiences of white male veterans, portraying their challenges and resilience without critiquing traditional identities or explicitly incorporating modern DEI themes.
Secondary
The film implicitly upholds virtues often associated with Christianity, such as compassion, family, and community, as essential for the veterans' healing and reintegration into society. The narrative frames these values as foundational to a supportive post-war America.
The Parrish family, explicitly identified as Jewish, is portrayed with profound respect, warmth, and dignity. Their unwavering love and support for Homer are central to his journey, showcasing a strong, integrated, and admirable family unit.
The Best Years of Our Lives, a drama set in the aftermath of WWII, does not include any identifiable LGBTQ+ characters or themes. Its narrative centers exclusively on the experiences of heterosexual veterans and their families adjusting to civilian life.
The film 'The Best Years of Our Lives' focuses on the post-World War II readjustment of three cisgender male veterans. It does not feature any identifiable transsexual characters or themes, nor does it explore gender identity or transition in its narrative.
The movie does not contain any action or adventure elements.
The Best Years of Our Lives is an original film, not an adaptation of pre-existing widely established characters or a biopic. The characters' genders as portrayed in the 1946 movie are their original establishment, thus no gender swaps occurred.
The film's characters, as depicted in its source novel and original production, are consistently portrayed as white. There is no evidence of any character being established as a different race in prior canon or history and then portrayed as another race in the film.
Viewer Rating Breakdown
User Ratings
8.1
7.8
Critic Ratings
9.8
9.3
More Like This
Leans Traditional
8.2
Funny Girl
(1968)
Political: Center
Diversity: Low
Leans Traditional
8.3
Roman Holiday
(1953)
Political: Center
Diversity: Low
Traditional
7.9
Mrs. Miniver
(1942)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
The Big Country
(1958)
Political: Center
Diversity: Low
Leans Traditional
8.1
Wuthering Heights
(1939)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Man in the Moon
(1991)
Political: Center
Diversity: Low
Leans Traditional
8.2
Marty
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.7
Grand Hotel
(1932)
Political: Center
Diversity: Low
Traditional
8.4
Meet Me in St. Louis
(1944)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
On Golden Pond
(1981)
Political: Center
Diversity: Low
Traditional
7.3
A Season for Miracles
(1999)
Political: Leans Right
Diversity: Low
Traditional
7.8
Witness
(1985)
Political: Leans Right
Diversity: Low
Leans Traditional
6.5
Mata Hari
(1931)
Political: Center
Diversity: Low
Leans Traditional
7.7
Summertime
(1955)
Political: Center
Diversity: Low
Leans Traditional
8.0
Juno
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.8
Enough Said
(2013)
Political: Center
Diversity: Low
Leans Traditional
6.9
Quartet
(2012)
Political: Center
Diversity: Low
Leans Traditional
6.6
Café Society
(2016)
Political: Center
Diversity: Low
Leans Traditional
8.6
La La Land
(2016)
Political: Center
Diversity: Low
Leans Traditional
6.5
This Property Is Condemned
(1966)
Political: Center
Diversity: Low