5.6
Viewer Rating
Combines user and critic ratings from four sources
Over-Exposed (1956)
Over-Exposed (1956)
Overview
This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
5.6
Overview
This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film primarily functions as a moral drama exploring individual ambition and its consequences within a specific industry, focusing on personal choices and their repercussions rather than promoting a distinct political ideology or advocating for systemic change.
Released in 1956, the film features a predominantly white cast, which was standard for Hollywood productions of that era. The narrative does not appear to critique traditional identities or incorporate explicit DEI themes, reflecting the common cinematic approaches of the mid-20th century.
Secondary
Without specific plot details or character information regarding LGBTQ+ representation in 'Over-Exposed' (1956), it is not possible to determine if such themes are present or to evaluate their portrayal. Therefore, an assessment of the net impact on LGBTQ+ characters and themes cannot be made.
The film 'Over-Exposed, 1956' does not appear to feature any identifiable transsexual characters or themes. Based on the available information, there is no depiction of transgender identity within the narrative, leading to a rating of N/A for its portrayal.
The movie does not contain any action or adventure elements.
Without information on source material, previous adaptations, or historical figures for 'Over-Exposed, 1956', it's impossible to determine if any character's gender deviates from an established canon.
Over-Exposed (1956) appears to be an original film production, not an adaptation of existing source material, a biopic, or a reboot with legacy characters. Therefore, its characters would not have pre-established canonical or historical races to be 'swapped' from.
Viewer Rating Breakdown
User Ratings
6.1
5.1
Critic Ratings
N/A
N/A
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