The film portrays the protagonist's ambiguous relationships with young Tahitian men, characterized by a mix of predatory and paternalistic affection. These non-heteronormative interactions are presented observationally, without explicit judgment or moralizing. The depiction avoids strong positive or negative arcs, neither affirming nor denigrating the underlying power dynamics.

The film features Shannah, a mahū (trans woman), as a significant character who is depicted with dignity, complexity, and agency. Her trans identity is integrated naturally into the narrative without being sensationalized or a source of negative framing. Shannah serves as a performer and confidante to the protagonist, affirming the worth of her life and presence.

The film does not feature a central family unit or narrative focused on family life norms. The protagonist's personal relationships are largely peripheral and do not endorse or critique specific family structures or values.