MovieBias

See all results for ""
BrowseAnalyticsAbout

Payback (1999)

Payback poster

Payback (1999)

Overview

With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead -- or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.


Starring Cast


Where to watch

Prime Video logoPrime Video
Peacock logoPeacock
Apple TV logoApple TV
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional

Political: Center
Diversity: Low
Trans: Negative

Viewer Rating
6.0

Overview

With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead -- or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.


Starring Cast


Where to watch

Prime Video logoPrime Video
Peacock logoPeacock
Apple TV logoApple TV
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film's core conflict revolves around individual revenge and the reclamation of stolen money within a criminal underworld, a subject matter that lacks a strong inherent political valence. The narrative focuses on an amoral protagonist's personal quest, making it largely apolitical.

The movie features traditional casting with no apparent intentional race or gender swaps of traditionally white roles. Its narrative focuses on a crime thriller plot without critiquing traditional identities or incorporating explicit DEI themes.

Secondary

The film 'Payback' includes a minor transsexual character, Johnny Bronson, portrayed as a prostitute and victim of violence. This depiction leans into harmful stereotypes, presenting the character's identity primarily as a source of misery and vulnerability within a harsh criminal setting, without offering dignity, complexity, or counterbalancing positive elements.

The film "Payback" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses exclusively on a crime and revenge plot, with no elements related to queer identity or experiences present in the story.

The film features several female characters, including Rosie, Lynn Porter, and Pearl. While Pearl is a powerful and intimidating figure within the criminal underworld, her actions of violence are typically indirect, relying on her male subordinates or through intimidation. No female character is depicted winning a close-quarters physical fight against one or more male opponents.

The film 'Payback' is an adaptation of Richard Stark's novel 'The Hunter.' While some characters' roles are altered or new ones introduced, no established male character from the source material is portrayed as female, nor is any female character portrayed as male. New characters like Pearl do not constitute a gender swap.

The film "Payback" (1999) is an adaptation of Donald E. Westlake's novel "The Hunter." Analysis of its main and supporting characters against the source material and prior adaptations reveals no instances where a character with an established canonical or widely understood race was portrayed by an actor of a different race.


Viewer Rating Breakdown

6.0

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
7.1
The Movie Database logo
6.8

Critic Ratings

Rotten Tomatoes logo
5.6
Metacritic logo
4.6

More Like This

Lethal Weapon poster
Leans Traditional
7.5
Lethal Weapon
 (1987)
Political: Leans Right
Diversity: Moderate
Braveheart poster
Traditional
7.7
Braveheart
 (1995)

Political: Leans Right
Diversity: Low
LGBTQ: Negative
Signs poster
Traditional
6.8
Signs
 (2002)
Political: Leans Right
Diversity: Low
The Patriot poster
Traditional
6.7
The Patriot
 (2000)
Political: Strong Right
Diversity: Low
The Gauntlet poster
Traditional
6.6
The Gauntlet
 (1977)
Political: Leans Right
Diversity: Low
Miami Blues poster
Leans Traditional
7.0
Miami Blues
 (1990)
Political: Center
Diversity: Low
The Dark Knight poster
Leans Traditional
8.9
The Dark Knight
 (2008)
Political: Leans Right
Diversity: Moderate
The Matador poster
Leans Traditional
6.8
The Matador
 (2005)

Political: Center
Diversity: Low
LGBTQ: Neutral
Patriots Day poster
Traditional
7.3
Patriots Day
 (2016)
Political: Leans Right
Diversity: Low
Marathon Man poster
Leans Traditional
7.3
Marathon Man
 (1976)
Political: Center
Diversity: Low
Charley Varrick poster
Leans Traditional
7.7
Charley Varrick
 (1973)
Political: Center
Diversity: Low
Coogan's Bluff poster
Traditional
7.4
Coogan's Bluff
 (1968)
Political: Leans Right
Diversity: Low
Fargo poster
Leans Traditional
8.5
Fargo
 (1996)
Political: Center
Diversity: Low
Stillwater poster
Leans Traditional
6.7
Stillwater
 (2021)

Political: Center
Diversity: Low
LGBTQ: Neutral
The Driver poster
Leans Traditional
6.9
The Driver
 (1978)
Political: Center
Diversity: Low
At Close Range poster
Leans Traditional
7.3
At Close Range
 (1986)
Political: Center
Diversity: Low
Before the Devil Knows You're Dead poster
Leans Traditional
8.0
Before the Devil Knows You're Dead
 (2007)
Political: Center
Diversity: Low
To Live and Die in L.A. poster
Traditional
7.8
To Live and Die in L.A.
 (1985)

Political: Center
Diversity: Low
LGBTQ: Negative
Red Rock West poster
Leans Traditional
7.8
Red Rock West
 (1993)
Political: Center
Diversity: Low
The Getaway poster
Leans Traditional
7.1
The Getaway
 (1972)
Political: Center
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com