Leans Traditional
6.6
Stolen: Heist of the Century
(2025)
Political: Center
Diversity: Low
Peeling a potato is a work of art (1976)
Peeling a potato is a work of art (1976)
Overview
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
Not Rated
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's subject, 'Negret un oficio' (Negret, a trade/craft), inherently lacks a strong political valence. Without specific plot details or thematic evidence, it is impossible to discern any explicit promotion of progressive or conservative ideologies, leading to a neutral rating.
This documentary about a Colombian sculptor naturally features a diverse cast reflecting the country's demographics, rather than through explicit DEI-driven recasting. The narrative focuses on the artist's life and work, maintaining a neutral or positive framing of traditional identities without explicit social critique.
Secondary
A comprehensive evaluation of 'Negret un oficio' regarding its LGBTQ+ portrayal cannot be performed due to the AI's inability to access specific film content. No assessment of presence or depiction is possible.
No information about the film 'Mill on the Edge of the Wood' was provided, making it impossible to evaluate the presence or portrayal of transsexual characters or themes. Therefore, no assessment of net impact can be made.
The movie does not contain any action or adventure elements.
The film is a documentary about the male Colombian sculptor Edgar Negret. There is no indication that any historical figures, including Negret himself, are portrayed with a different gender than established in real-world history.
The film 'Negret un oficio' is a biographical work about the Colombian sculptor Edgar Negret, a real historical figure who was white. There is no evidence or widely known information suggesting that Edgar Negret or any other historically established character is portrayed by an actor of a different race in this 1976 film.
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