Viewer Rating
Combines user and critic ratings from four sources

Pretty Thing (2025)
A successful executive fights back when a scorned young lover takes his obsession too far.
A successful executive fights back when a scorned young lover takes his obsession too far.
The film's dominant themes align with progressive values by explicitly focusing on gendered violence and power imbalances, inverting traditional tropes to highlight male aggression against women and aligning with feminist critiques.
The movie features predominantly white casting without explicit racial or ethnic diversity. However, its narrative significantly engages with DEI themes by reversing traditional gender and age roles, portraying a male stalker and female victim, and exploring socioeconomic disparities and female agency, offering a strong critique of traditional power dynamics.
The film "Pretty Thing" does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on the heterosexual relationship and psychological dynamics between Sophie and Elliot, with no explicit or implicit exploration of LGBTQ+ representation based on the provided information.
Based on currently available information, 'Pretty Thing' (2025) does not appear to feature transsexual characters or themes. Therefore, no portrayal of transsexual identity can be assessed. The film's plot focuses on an erotic thriller narrative without any indicated transgender content.
The movie does not contain any action or adventure elements.
The film features a reversal of traditional gender roles within the erotic thriller genre, with an older powerful woman and a younger vulnerable man. However, these are new, original characters created for the film, not pre-existing characters whose gender has been changed from a prior canon or historical record.
The provided information for "Pretty Thing (2025)" does not indicate it is an adaptation of existing material with established character races, nor does it feature historical figures. The description explicitly states no emphasis on race swapping in the film's narrative or casting, suggesting no instances of characters being portrayed by a different race than previously established.
Combines user and critic ratings from four sources























