MovieBias

See all results for ""
BrowseAnalyticsAbout

Return of the Seven (1966)

Return of the Seven poster

Return of the Seven (1966)

Overview

Chico, one of the remaining members of The Magnificent Seven, now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out Chris, the leader of The Seven for help. Chris also meets Vin another member of The Seven. They find four other men and they go to help Chico.


Starring Cast


Where to watch

Philo logoPhilo
Apple TV logoApple TV
Google Play logoGoogle Play
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional

Political: Center
Diversity: Low
Christianity: Positive

Viewer Rating
4.3

Overview

Chico, one of the remaining members of The Magnificent Seven, now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out Chris, the leader of The Seven for help. Chris also meets Vin another member of The Seven. They find four other men and they go to help Chico.


Starring Cast


Where to watch

Philo logoPhilo
Apple TV logoApple TV
Google Play logoGoogle Play
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film's central conflict revolves around fighting tyranny and exploitation, a broad theme resolved through individual heroism and direct action to restore justice, rather than promoting a specific political ideology or systemic critique.

The movie features traditional casting with a predominantly white male ensemble in leading roles, consistent with its genre and era. Its narrative does not critique traditional identities, instead presenting them in a neutral or positive light without incorporating explicit DEI themes.

Secondary

The film portrays the Mexican villagers, implicitly Christian (Catholic), as a devout community whose faith is an integral part of their identity and resilience. The narrative sympathizes with their plight against oppressive bandits, affirming their cultural and spiritual values by positioning the audience to condemn their victimization.

Return of the Seven is a 1966 Western film focused on a group of gunmen. The narrative does not include any discernible LGBTQ+ characters or themes, resulting in no specific portrayal to evaluate.

The film "Return of the Seven" is a Western from 1966. Its narrative focuses on a group of gunmen rescuing villagers from bandits. There are no identifiable transsexual characters or themes present in the movie's plot or character arcs.

The movie does not contain any action or adventure elements.

This film is a direct sequel to "The Magnificent Seven" (1960). The returning and newly introduced members of the titular group, as well as other significant characters, maintain their established male gender from the prior installment. There are no instances of a character's gender being changed from their canonical portrayal.

This film is a sequel where returning characters maintain their original racial portrayals. New characters introduced are not subject to the race swap definition as their race was not established in prior canon.


Viewer Rating Breakdown

4.3

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
5.5
The Movie Database logo
6.1

Critic Ratings

Rotten Tomatoes logo
1.3
Metacritic logo
N/A

More Like This

The War Wagon poster
Center
7.1
The War Wagon
 (1967)
Political: Center
Diversity: Low
The Magnificent Seven poster
Leans Traditional
7.9
The Magnificent Seven
 (1960)
Political: Leans Right
Diversity: Low
Shane poster
Traditional
8.3
Shane
 (1953)
Political: Leans Right
Diversity: Low
Cheyenne poster
Traditional
6.7
Cheyenne
 (1947)
Political: Leans Right
Diversity: Low
Rio Bravo poster
Traditional
8.7
Rio Bravo
 (1959)
Political: Leans Right
Diversity: Low
Red River poster
Leans Traditional
8.7
Red River
 (1948)
Political: Center
Diversity: Low
The Treasure of the Sierra Madre poster
Leans Traditional
9.0
The Treasure of the Sierra Madre
 (1948)
Political: Center
Diversity: Low
Scooby-Doo! Shaggy's Showdown poster
Leans Traditional
7.3
Scooby-Doo! Shaggy's Showdown
 (2017)
Political: Center
Diversity: Low
My Darling Clementine poster
Traditional
8.4
My Darling Clementine
 (1946)
Political: Leans Right
Diversity: Low
The Assassination of Jesse James by the Coward Robert Ford poster
Leans Traditional
7.2
The Assassination of Jesse James by the Coward Robert Ford
 (2007)

Political: Center
Diversity: Low
LGBTQ: Neutral
3:10 to Yuma poster
Traditional
7.8
3:10 to Yuma
 (2007)
Political: Leans Right
Diversity: Low
The Wild Bunch poster
Leans Traditional
8.6
The Wild Bunch
 (1969)
Political: Center
Diversity: Low
Stagecoach poster
Traditional
8.7
Stagecoach
 (1939)
Political: Leans Right
Diversity: Low
Open Range poster
Traditional
7.3
Open Range
 (2003)
Political: Leans Right
Diversity: Low
Hang 'em High poster
Traditional
7.3
Hang 'em High
 (1968)
Political: Leans Right
Diversity: Low
High Noon poster
Traditional
8.5
High Noon
 (1952)
Political: Leans Right
Diversity: Low
Butch Cassidy and the Sundance Kid poster
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
 (1969)
Political: Center
Diversity: Low
Let Him Go poster
Traditional
7.1
Let Him Go
 (2020)
Political: Leans Right
Diversity: Low
Bend of the River poster
Traditional
8.0
Bend of the River
 (1952)
Political: Leans Right
Diversity: Low
El Dorado poster
Traditional
8.2
El Dorado
 (1966)
Political: Leans Right
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com