Traditional
7.9
The Mark of Zorro
(1940)
Political: Leans Right
Diversity: Low
Revenge at Monte Carlo (1933)
Revenge at Monte Carlo (1933)
Overview
Following President Alarcon's ouster from rule in the mythical republic of Luvania, a group of aristocrats plot in Monte Carlo for Alarcon's return and sign a manifesto pedging their fortunes to that cause. After Francisco Hernandez's father and brother are arrested as conspirators, secret intelligence chief Mendez offers Hernandez the chance to save their lives if he secures the manifesto in Monte Carlo.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Following President Alarcon's ouster from rule in the mythical republic of Luvania, a group of aristocrats plot in Monte Carlo for Alarcon's return and sign a manifesto pedging their fortunes to that cause. After Francisco Hernandez's father and brother are arrested as conspirators, secret intelligence chief Mendez offers Hernandez the chance to save their lives if he secures the manifesto in Monte Carlo.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central theme of personal revenge for a past wrong, as suggested by its title, is a universal narrative trope that does not inherently align with or promote specific progressive or conservative political ideologies.
This film, a 1925 production, aligns with traditional casting practices and narrative conventions of its era. It does not feature explicit diversity initiatives in its character representation nor does its narrative explicitly critique traditional identities.
Secondary
The film 'Revenge at Monte Carlo' does not feature any discernible LGBTQ+ characters or themes. Its narrative focuses on a crime mystery and romance typical of its era, without any elements related to queer identity or experiences.
Revenge at Monte Carlo (1933) does not feature any discernible transsexual characters or themes within its narrative. The film's focus is on crime and romance, with no elements related to transgender identity or experiences.
Based on available plot summaries and historical context for films of this era, there is no indication that any female character engages in or wins close-quarters physical combat against one or more male opponents. Female characters are not depicted in significant action roles involving such direct confrontations.
The film "Revenge at Monte Carlo" (1933) appears to be an original production without a known pre-existing source material featuring established characters. Therefore, its characters are considered original to the film, and no instances of gender swapping are identified.
The 1933 film "Revenge at Monte Carlo" is an original production, not an adaptation of existing source material with pre-established character races or a biopic of a historical figure. Therefore, no characters have a prior canonical or historical race to be swapped from.
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