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Combines user and critic ratings from four sources

The Lord of the Rings: The Return of the King (2003)
As armies mass for a final battle that will decide the fate of the world--and powerful, ancient forces of Light and Dark compete to determine the outcome--one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.
As armies mass for a final battle that will decide the fate of the world--and powerful, ancient forces of Light and Dark compete to determine the outcome--one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.
The film's dominant themes align with right-leaning values by championing the restoration of a traditional, benevolent monarchy and emphasizing duty, loyalty, and sacrifice in the face of an existential evil, rather than advocating for revolutionary change or new societal structures.
The film features a predominantly traditional cast, aligning with the source material's original character depictions without intentional race or gender swaps. Its narrative focuses on classic heroic archetypes and a clear good-versus-evil conflict, without explicitly critiquing or negatively portraying traditional identities.
The film features Éowyn, a human woman, who participates in a major battle. She engages in direct melee combat against the Witch-king of Angmar, a powerful male antagonist, and successfully defeats him with her sword.
The Lord of the Rings: The Return of the King does not explicitly depict any LGBTQ+ characters or themes. The narrative focuses on heterosexual relationships and platonic friendships, resulting in no identifiable LGBTQ+ representation within the film's content.
The Lord of the Rings: The Return of the King does not feature any identifiable transsexual characters or themes. The film's epic fantasy narrative focuses on war, friendship, and the struggle against evil, without incorporating any elements related to transsexual identity or experiences within its plot or character arcs.
The film faithfully adapts J.R.R. Tolkien's source material, portraying all established characters with their canonical genders. No significant character's gender was altered from the books to the screen.
The Lord of the Rings: The Return of the King (2003) features characters whose on-screen portrayals align with their established racial depictions in J.R.R. Tolkien's source material and prior interpretations. No major or legacy character was depicted as a different race than canonically established.
Combines user and critic ratings from four sources




Actors
| Name | Role | Gender | Race | Nationality |
|---|---|---|---|---|
Elijah Wood | Frodo | Male | White | |
Ian McKellen | Gandalf | Male | White | |
Viggo Mortensen | Aragorn | Male | White | |
Sean Astin | Sam | Male | White | |
Andy Serkis | Gollum / Smeagol | Male | White | |
Dominic Monaghan | Merry | Male | White | |
Billy Boyd | Pippin | Male | White | |
John Noble | Denethor | Male | White | |
David Wenham | Faramir | Male | White | |
Miranda Otto | Éowyn | Female | White | |
Bernard Hill | Théoden | Male | White | |
John Rhys-Davies | Gimli | Male | White | |
Orlando Bloom | Legolas | Male | White | |
Hugo Weaving | Elrond | Male | White | |
Liv Tyler | Arwen | Female | White | |
Peter Jackson | Corsair Bosun (uncredited) | Male | White | |
Andrew Lesnie | Corsair of Umbar (uncredited) | Male | White | |
Rick Porras | Corsair of Umbar / Beacon Guard (uncredited) | Male | Latino |
Actor Breakdown
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