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Roofman (2025)
A former Army Ranger and struggling father turns to robbing McDonald’s restaurants by cutting holes in their roofs, earning him the nickname 'Roofman'. After escaping prison, he secretly lives inside a Toys “R” Us for six months, surviving undetected while planning his next move. But when he falls for a divorced mom drawn to his undeniable charm, his double life begins to unravel, setting off a compelling and suspenseful game of cat and mouse as his past closes in.
A former Army Ranger and struggling father turns to robbing McDonald’s restaurants by cutting holes in their roofs, earning him the nickname 'Roofman'. After escaping prison, he secretly lives inside a Toys “R” Us for six months, surviving undetected while planning his next move. But when he falls for a divorced mom drawn to his undeniable charm, his double life begins to unravel, setting off a compelling and suspenseful game of cat and mouse as his past closes in.
The film explores economic hardship and crime through a nuanced lens, balancing potential critiques of systemic issues with an emphasis on personal responsibility, community support, and individual rehabilitation, ultimately avoiding overt political partisanship.
The movie features visible diversity in its supporting cast, though its primary focus remains on a white male protagonist without explicit recasting of traditional roles. The narrative explores themes of systemic injustice and complex characterization, aligning with some DEI principles, but it also leans into traditional moral framings of individual responsibility, rather than explicitly critiquing traditional identities or advocating for systemic change.
The film portrays a Christian community and its pastor in a uniformly positive light, emphasizing themes of grace, forgiveness, and acceptance. This community's warmth and support are central to the protagonist's redemptive arc and emotional journey.
Roofman (2025) does not portray the LGBTQ community in any substantive way. The narrative focuses on heterosexual relationships, and any reference to LGBTQ identity is limited to a single, quickly resolved moment of mistaken assumption, which does not constitute a depiction of LGBTQ+ characters or themes.
Based on current available data, there is no information describing the portrayal of transsexual characters or themes in *Roofman* (2025). Therefore, an evaluation of its net impact on transsexual representation cannot be provided.
The movie does not contain any action or adventure elements.
Based on the available information, the film *Roofman* portrays all named characters, including the historical figure Jeffrey Manchester, with genders consistent with their established historical or canonical representations. No sources indicate any gender changes or gender-swapped characters in the adaptation.
The film's casting aligns with the established races of historical figures and characters whose race was specified in the source material. No character canonically or historically established as one race is portrayed as a different race.
Combines user and critic ratings from four sources























