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Salò, or the 120 Days of Sodom (1976)
Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.
Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.
The film is a visceral and explicit condemnation of fascism and the ultimate depravity that results from unchecked power, aligning its central thesis with progressive critiques of authoritarianism and systemic oppression.
The movie features a traditional, predominantly white cast consistent with its historical setting. However, its narrative strongly critiques traditional power structures, explicitly portraying wealthy, male figures as the source of extreme depravity and evil.
The film portrays homosexual acts exclusively within the context of extreme sexual violence, torture, and degradation. These acts are perpetrated by sadistic villains against non-consenting victims, serving as instruments of dehumanization rather than expressions of identity. The narrative offers no positive, neutral, or affirming depiction of LGBTQ+ characters or themes.
The film portrays Christian symbols and morality as utterly desecrated and perverted by the fascist 'Lords.' Religious iconography is used blasphemously in acts of torture and degradation, highlighting a complete moral collapse without any counterbalancing positive portrayal of faith.
The film 'Salò, or the 120 Days of Sodom' does not include any identifiable transsexual characters or themes. Its narrative centers on the extreme abuse of cisgender male and female victims, with no exploration of gender identity or transsexual experiences within its plot.
The movie does not contain any action or adventure elements.
The film is an adaptation of Marquis de Sade's novel, and its main characters, including the four Libertines and the Madames, maintain the same genders as established in the original source material.
The film adapts a French novel to a World War II Italian setting. Both the source material and the historical context imply white European characters, which is consistent with the on-screen portrayal by the cast. No character established as one race was depicted as a different race.
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