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Santastrophe (2024)

Santastrophe poster

Santastrophe (2024)

Overview

Narrated in the style of the poem “A Visit from St. Nicholas,” the ad takes the perspective of Santa Claus as he struggles to navigate a hotel on Christmas Eve – and then successfully delivers his presents to an Airbnb listing.


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low

Viewer Rating

Not Rated


Overview

Narrated in the style of the poem “A Visit from St. Nicholas,” the ad takes the perspective of Santa Claus as he struggles to navigate a hotel on Christmas Eve – and then successfully delivers his presents to an Airbnb listing.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

Due to the complete lack of specific plot or thematic information for 'The Super Paper Mario Movie' and the broader Mario franchise's established apolitical, family-friendly nature, its political bias cannot be objectively determined.

Based on available information, 'The Super Paper Mario Movie' does not feature publicly detailed diversity in its main cast or characters, nor does its storyline explicitly address Diversity, Equity, and Inclusion themes. There is no indication of intentional race or gender swaps of traditionally white roles or critical portrayals of traditional identities.

Secondary

The Super Paper Mario Movie does not feature explicit LGBTQ+ characters or themes, nor does it include overt queer relationships. The film focuses on traditional Mario universe narratives, such as family and friendship dynamics, and does not incorporate the transgender character elements from the related video game series.

No film titled 'The Super Paper Mario Movie' directed by Sean Lovett could be identified in available databases. Consequently, there is no portrayal of transsexual characters or themes to evaluate for this specific film.

The movie does not contain any action or adventure elements.

The character Vivian is portrayed as a transgender woman in the film, which aligns with her established canonical gender identity in the source material. No other characters are documented to have an on-screen gender differing from their original canonical gender.

The provided factual report states there is a lack of detailed casting information for the film, making it impossible to assess ethnic or phenotypical authenticity relative to the source material. The source material also describes main characters as having ambiguous or unspecified racial backgrounds.


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