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Satan's Slaves 2: Communion (2022)
After moving from their home to an apartment building, a new terror awaits Rini’s family.
After moving from their home to an apartment building, a new terror awaits Rini’s family.
The film's central conflict is rooted in supernatural horror, a demonic cult, and a family's struggle for survival against malevolent forces. These themes are largely apolitical, focusing on universal concepts of fear and resilience rather than explicitly promoting a specific political ideology.
The movie features an Indonesian cast, naturally reflecting its cultural origin without engaging in explicit race or gender swaps of traditionally white roles. Its narrative is primarily a horror story, focusing on supernatural threats rather than offering critiques of traditional identities or centering on explicit DEI themes.
The film portrays Islamic faith and practices as a source of comfort, strength, and protection for the protagonists against the demonic forces. While not always successful, the narrative consistently frames these religious acts as virtuous and necessary in their struggle against evil.
Satan's Slaves 2: Communion does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no specific portrayal of queer identity or experiences within the narrative to assess, leading to an N/A rating for its net impact.
The film "Satan's Slaves 2: Communion" does not feature any identifiable transsexual characters or themes. The narrative focuses on a family's struggle against supernatural entities and a cult, with no elements related to transgender identity present in the plot or character arcs.
The movie does not contain any action or adventure elements.
This film is a direct sequel where all returning characters maintain their established genders from the previous installment. New characters introduced in this film do not have prior canonical genders, thus they do not qualify as gender swaps.
This film is a direct sequel to an Indonesian horror film, maintaining the original cast and character portrayals from its predecessor and the source material. There is no evidence of any character canonically established as one race being portrayed as a different race.
Combines user and critic ratings from four sources























