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Seabirds in the Shetland Islands (1932)

Seabirds in the Shetland Islands poster

Seabirds in the Shetland Islands (1932)

Overview

Footage of the seabirds found in the Shetland Isles. One of a group of films made by Jenny Brown and bought by John Grierson for the GPO Film Library in the 1930s.


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate

Viewer Rating

Not Rated


Overview

Footage of the seabirds found in the Shetland Isles. One of a group of films made by Jenny Brown and bought by John Grierson for the GPO Film Library in the 1930s.


Starring Cast

Detailed Bias Analysis

Analyzing...
Center

Primary

The film's central subject matter, documenting seabirds in their natural habitat, is inherently apolitical and lacks any discernible political problem or solution, leading to a neutral rating.

As a nature documentary focusing on seabirds, the film does not feature human characters or a narrative that engages with human diversity, representation, or social identity critiques. Its content is entirely focused on the natural world, thus not presenting any DEI elements in its casting or narrative.

Secondary

Based on its title, 'Seabirds in the Shetland Islands' is presumed to be a nature documentary. Consequently, there are no identifiable LGBTQ+ characters or themes present within the film's scope, resulting in a net impact rating of N/A.

A Young Gannet is a nature documentary centered on the life of a gannet. The film does not feature any human characters or explore themes related to gender identity, thus containing no identifiable transsexual characters or themes. The portrayal is N/A.

The movie does not contain any action or adventure elements.

This 1932 film is a documentary focusing on seabirds and the natural environment. It does not feature narrative characters with pre-established canonical or historical genders, thus the concept of a gender swap is not applicable.

This is a 1932 documentary film focusing on seabirds in the Shetland Islands. Documentaries of this nature typically do not feature fictional characters or historical figures whose race could be subject to a swap.


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