7.0
Viewer Rating
Combines user and critic ratings from four sources
No Vietnamese Ever Called Me Nigger (1968)
No Vietnamese Ever Called Me Nigger (1968)
Overview
In defending his refusal to be conscripted into the Vietnam War, champion boxer Muhammed Ali defiantly declared: ‘No Vietcong ever called me a nigger, my enemies are white people, not the Vietcong.’ His rebuttal suggested the title of this documentary, which depicts an anti-Vietnam-War rally in New York in 1967.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Strong Left
Diversity: High
Christianity: Positive
Islam: Positive
Viewer Rating
7.0
Overview
In defending his refusal to be conscripted into the Vietnam War, champion boxer Muhammed Ali defiantly declared: ‘No Vietcong ever called me a nigger, my enemies are white people, not the Vietcong.’ His rebuttal suggested the title of this documentary, which depicts an anti-Vietnam-War rally in New York in 1967.
Starring Cast
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film's central thesis explicitly promotes progressive ideology by critiquing systemic racism and the Vietnam War, highlighting the disproportionate impact on Black communities and advocating for social justice through protest and solidarity.
This film centers the experiences of Black American veterans protesting the Vietnam War, featuring a cast predominantly from this marginalized group. Its narrative explicitly critiques systemic racism and the societal structures that perpetuate it, highlighting the hypocrisy faced by Black soldiers.
Secondary
The film implicitly affirms the moral arguments rooted in Christian ethics, as used by Black activists and veterans to protest the Vietnam War and racial injustice. It portrays Christianity as a source of strength and moral grounding for the movement.
The film presents Islam, particularly within the context of Black nationalism, as an empowering and affirming force for Black Americans. It offers a counter-narrative to mainstream society, providing a source of identity, pride, and resistance against oppression.
This 1968 documentary, focusing on Black American veterans and activists protesting the Vietnam War, does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on race, war, and social protest, without engaging with queer identity or experiences.
The film "No Vietnamese Ever Called Me Nigger" (1968) is a documentary primarily focused on the Vietnam War, race relations, and social commentary. There are no identifiable transsexual characters or themes present in the narrative or subject matter.
The movie does not contain any action or adventure elements.
This 1968 documentary features real people participating in a protest. As a documentary, it does not adapt fictional characters or reinterpret historical figures in a way that would allow for a gender swap as defined.
This film is a documentary featuring real individuals discussing their experiences, not fictional characters with established racial identities from source material or history. Therefore, the concept of a 'race swap' does not apply.
Viewer Rating Breakdown
User Ratings
7.6
6.5
Critic Ratings
N/A
N/A
More Like This
Progressive
8.4
Field Niggas
(2015)
Political: Strong Left
Diversity: High
Progressive
8.0
The Perfect Neighbor
(2025)
Political: Strong Left
Diversity: High
Leans Progressive
7.9
Cafeteria Man
(2011)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.4
Operation Varsity Blues: The College Admissions Scandal
(2021)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.7
Titan: The OceanGate Submersible Disaster
(2025)
Political: Strong Left
Diversity: Moderate
Leans Progressive
8.8
Woodstock
(1970)
Political: Strong Left
Diversity: Moderate
Leans Progressive
8.3
American Dream
(1990)
Political: Strong Left
Diversity: Low
Progressive
6.8
Religulous
(2008)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Progressive
7.2
The Original Kings of Comedy
(2000)
Political: Leans Left
Diversity: High
Progressive
8.6
Paris Is Burning
(1991)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Progressive
8.0
Sicko
(2007)
Political: Strong Left
Diversity: Moderate
Leans Progressive
8.1
Bowling for Columbine
(2002)
Political: Strong Left
Diversity: Moderate
Progressive
7.4
Fahrenheit 9/11
(2004)
Political: Strong Left
Diversity: High
Progressive
8.8
Summer of Soul (...Or, When the Revolution Could Not Be Televised)
(2021)
Political: Strong Left
Diversity: High
Progressive
7.8
The Punk Singer
(2013)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.8
An Inconvenient Truth
(2006)
Political: Strong Left
Diversity: Low
Leans Progressive
7.9
Earth
(2007)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.6
Super Size Me
(2004)
Political: Strong Left
Diversity: Moderate
Leans Progressive
7.0
Capitalism: A Love Story
(2009)
Political: Strong Left
Diversity: Moderate
Leans Progressive
7.5
Tupac: Resurrection
(2003)
Political: Strong Left
Diversity: Moderate