MovieBias

See all results for ""
BrowseAnalyticsAbout

No Vietnamese Ever Called Me Nigger (1968)

No Vietnamese Ever Called Me Nigger poster

No Vietnamese Ever Called Me Nigger (1968)

Overview

In defending his refusal to be conscripted into the Vietnam War, champion boxer Muhammed Ali defiantly declared: ‘No Vietcong ever called me a nigger, my enemies are white people, not the Vietcong.’ His rebuttal suggested the title of this documentary, which depicts an anti-Vietnam-War rally in New York in 1967.


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Progressive

Political: Strong Left
Diversity: High
Christianity: Positive

Viewer Rating
7.0

Overview

In defending his refusal to be conscripted into the Vietnam War, champion boxer Muhammed Ali defiantly declared: ‘No Vietcong ever called me a nigger, my enemies are white people, not the Vietcong.’ His rebuttal suggested the title of this documentary, which depicts an anti-Vietnam-War rally in New York in 1967.


Starring Cast

Detailed Bias Analysis

Analyzing...
Progressive

Primary

The film's central thesis explicitly promotes progressive ideology by critiquing systemic racism and the Vietnam War, highlighting the disproportionate impact on Black communities and advocating for social justice through protest and solidarity.

This film centers the experiences of Black American veterans protesting the Vietnam War, featuring a cast predominantly from this marginalized group. Its narrative explicitly critiques systemic racism and the societal structures that perpetuate it, highlighting the hypocrisy faced by Black soldiers.

Secondary

The film implicitly affirms the moral arguments rooted in Christian ethics, as used by Black activists and veterans to protest the Vietnam War and racial injustice. It portrays Christianity as a source of strength and moral grounding for the movement.

This 1968 documentary, focusing on Black American veterans and activists protesting the Vietnam War, does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on race, war, and social protest, without engaging with queer identity or experiences.

The film "No Vietnamese Ever Called Me Nigger" (1968) is a documentary primarily focused on the Vietnam War, race relations, and social commentary. There are no identifiable transsexual characters or themes present in the narrative or subject matter.

The movie does not contain any action or adventure elements.

This 1968 documentary features real people participating in a protest. As a documentary, it does not adapt fictional characters or reinterpret historical figures in a way that would allow for a gender swap as defined.

This film is a documentary featuring real individuals discussing their experiences, not fictional characters with established racial identities from source material or history. Therefore, the concept of a 'race swap' does not apply.


Viewer Rating Breakdown

7.0

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
7.6
The Movie Database logo
6.5

Critic Ratings

Rotten Tomatoes logo
N/A
Metacritic logo
N/A

More Like This

Piece by Piece poster
Leans Progressive
7.2
Piece by Piece
 (2024)
Political: Leans Left
Diversity: Moderate
Sicko poster
Leans Progressive
8.0
Sicko
 (2007)
Political: Strong Left
Diversity: Moderate
Operation Varsity Blues: The College Admissions Scandal poster
Leans Progressive
7.4
Operation Varsity Blues: The College Admissions Scandal
 (2021)
Political: Leans Left
Diversity: Moderate
Bastion Point: Day 507 poster
Progressive
8.6
Bastion Point: Day 507
 (1980)
Political: Strong Left
Diversity: High
The Perfect Neighbor poster
Progressive
8.0
The Perfect Neighbor
 (2025)
Political: Strong Left
Diversity: High
An Inconvenient Truth poster
Leans Progressive
7.8
An Inconvenient Truth
 (2006)
Political: Strong Left
Diversity: Low
The Original Kings of Comedy poster
Progressive
7.2
The Original Kings of Comedy
 (2000)
Political: Leans Left
Diversity: High
Summer of Soul (...Or, When the Revolution Could Not Be Televised) poster
Progressive
8.8
Summer of Soul (...Or, When the Revolution Could Not Be Televised)
 (2021)
Political: Strong Left
Diversity: High
Cafeteria Man poster
Leans Progressive
7.9
Cafeteria Man
 (2011)
Political: Leans Left
Diversity: Moderate
A Syrian Love Story poster
Leans Progressive
7.7
A Syrian Love Story
 (2015)
Political: Leans Left
Diversity: Moderate
Renaissance: A Film by Beyoncé poster
Progressive
8.9
Renaissance: A Film by Beyoncé
 (2023)

Political: Leans Left
Diversity: High
LGBTQ: Positive
Joseph Losey: The Man with Four Names poster
Leans Progressive
7.0
Joseph Losey: The Man with Four Names
 (1998)
Political: Strong Left
Diversity: Low
Bowling for Columbine poster
Leans Progressive
8.1
Bowling for Columbine
 (2002)
Political: Strong Left
Diversity: Moderate
Fahrenheit 9/11 poster
Progressive
7.4
Fahrenheit 9/11
 (2004)
Political: Strong Left
Diversity: High
Titan: The OceanGate Submersible Disaster poster
Progressive
6.7
Titan: The OceanGate Submersible Disaster
 (2025)
Political: Strong Left
Diversity: High
Woodstock poster
Leans Progressive
8.8
Woodstock
 (1970)
Political: Strong Left
Diversity: Moderate
Yellowstone poster
Progressive
8.8
Yellowstone
 (2020)
Political: Center
Diversity: Not Rated
Disclosure poster
Progressive
8.4
Disclosure
 (2020)

Political: Strong Left
Diversity: High
LGBTQ: Positive
Rolling Stone Magazine: The 10th Anniversary poster
Leans Progressive
6.9
Rolling Stone Magazine: The 10th Anniversary
 (1977)
Political: Strong Left
Diversity: Moderate
Super Size Me poster
Leans Progressive
7.6
Super Size Me
 (2004)
Political: Strong Left
Diversity: Moderate
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com