Traditional
7.7
Braveheart
(1995)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Sejong the Great (1964)
Sejong the Great (1964)
Overview
This work focuses on the creation of Hunminjeongeum and the achievements of King Sejong, the wise and revered monarch of the Joseon Dynasty. Despite fierce opposition from his officials, Sejong (played by Choi Nam-hyeon) dedicates himself to developing a writing system for the common people who cannot read or write. At the same time, he defends the nation's borders by repelling the Jurchen tribes. Sejong takes in a wise woman, An Tak-gap (played by Moon Jeong-suk), as a royal concubine, and even as his health deteriorates, he continues to serve his country by performing rain rituals during droughts. This film is a cinematic adaptation of a radio drama originally aired by Seoul Central Broadcasting (HLKA), and it was produced in black-and-white using CinemaScope technology—a major production for its time. By portraying in detail the folk-tale-inspired relationship between Sejong and Concubine An Tak-gap, the film reveals a humble and human side of the king.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Viewer Rating
Not Rated
Overview
This work focuses on the creation of Hunminjeongeum and the achievements of King Sejong, the wise and revered monarch of the Joseon Dynasty. Despite fierce opposition from his officials, Sejong (played by Choi Nam-hyeon) dedicates himself to developing a writing system for the common people who cannot read or write. At the same time, he defends the nation's borders by repelling the Jurchen tribes. Sejong takes in a wise woman, An Tak-gap (played by Moon Jeong-suk), as a royal concubine, and even as his health deteriorates, he continues to serve his country by performing rain rituals during droughts. This film is a cinematic adaptation of a radio drama originally aired by Seoul Central Broadcasting (HLKA), and it was produced in black-and-white using CinemaScope technology—a major production for its time. By portraying in detail the folk-tale-inspired relationship between Sejong and Concubine An Tak-gap, the film reveals a humble and human side of the king.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The rating is 0 due to a complete lack of information regarding the film's plot, character arcs, or specific thematic content, preventing any assessment of political bias.
This biographical film about the historical figure Michelangelo is assumed to feature traditional casting consistent with historical accuracy. The narrative is expected to focus on the artist's life and work, without explicitly critiquing traditional identities or centering DEI themes.
Secondary
The film, a documentary about Michelangelo, celebrates his iconic works, which are predominantly Christian in theme and commissioned by the Church. By showcasing his artistic genius and the profound impact of his religious art, the film inherently affirms the cultural and artistic significance of Christianity as the inspiration and subject of his masterpieces.
Based on the information provided, there are no identifiable LGBTQ+ characters or themes to evaluate in 'Michelangelo (movie)'. Therefore, the net impact on LGBTQ+ portrayal is N/A, as no depiction could be assessed.
The film 'Sejong the Great' is a historical drama centered on the life of King Sejong of Korea. The narrative does not include any discernible transsexual characters or themes, resulting in an N/A rating for its portrayal.
The movie does not contain any action or adventure elements.
This 1964 documentary focuses on the life and work of Michelangelo Buonarroti, a historically male figure. There is no evidence or indication that the film portrays Michelangelo or any other established historical character with a different gender.
The film 'Michelangelo' (1964) is an obscure production with no readily available cast information to determine if any historical figures were portrayed by actors of a different race. There is no evidence to suggest a race swap occurred.
More Like This
Traditional
7.6
Cinderella Man
(2005)
Political: Leans Right
Diversity: Low
Traditional
7.0
The Birth of a Nation
(1915)
Political: Strong Right
Diversity: Low
Center
8.6
Intolerance: Love's Struggle Throughout the Ages
(1916)
Political: Center
Diversity: Low
Leans Traditional
6.9
Out of Africa
(1985)
Political: Center
Diversity: Low
Traditional
8.8
Saving Private Ryan
(1998)
Political: Leans Right
Diversity: Low
Leans Traditional
7.4
The Guernsey Literary & Potato Peel Pie Society
(2018)
Political: Center
Diversity: Low
Traditional
7.4
The Spirit of St. Louis
(1957)
Political: Leans Right
Diversity: Low
Traditional
8.4
Ben-Hur
(1959)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
The Bounty
(1984)
Political: Center
Diversity: Low
Leans Traditional
8.5
Amadeus
(1984)
Political: Center
Diversity: Low
Leans Traditional
8.1
Apollo 13
(1995)
Political: Center
Diversity: Low
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
(1969)
Political: Center
Diversity: Low
Leans Traditional
7.9
Judgment at Nuremberg
(1961)
Political: Center
Diversity: Low
Leans Traditional
7.0
The King of Kings
(1927)
Political: Leans Right
Diversity: Low
Traditional
6.6
Polycarp
(2015)
Political: Strong Right
Diversity: Low
Traditional
6.7
The Patriot
(2000)
Political: Strong Right
Diversity: Low
Leans Traditional
7.9
The Miracle Worker
(1957)
Political: Center
Diversity: Low
Leans Traditional
7.4
Anna Karenina
(1935)
Political: Center
Diversity: Low
Leans Traditional
7.2
Apocalypto
(2006)
Political: Leans Right
Diversity: Moderate