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Sexy doll: Abe Sada sansei (1983)
The film depicts the daughter of a concubine of a political and business mastermind who is involved in a corruption scandal, and a woman who controls a prostitution ring.
The film depicts the daughter of a concubine of a political and business mastermind who is involved in a corruption scandal, and a woman who controls a prostitution ring.
The film's central subject matter, referencing the Abe Sada incident, primarily explores themes of extreme human desire and psychological transgression, which are inherently apolitical rather than promoting a specific political ideology.
As a Japanese production, the film's casting reflects its cultural origin rather than engaging in explicit DEI-driven recasting of traditionally white roles. The narrative, based on available information, does not explicitly critique traditional identities or center strong DEI themes.
The film 'Sexy doll: Abe Sada sansei' does not include any identifiable LGBTQ+ characters or themes within its narrative. The story primarily focuses on heterosexual relationships and sexual transgression, offering no portrayal of queer identity.
The film 'Sexy doll: Abe Sada sansei' does not appear to feature any identifiable transsexual characters or themes. Available plot summaries and cast information do not indicate the presence of transgender individuals or related narratives, resulting in no depiction to evaluate.
The movie does not contain any action or adventure elements.
The film features a female protagonist continuing the legacy of the historical figure Abe Sada, who was also female. There is no indication of a character canonically or historically established as one gender being portrayed as a different gender.
The film is a Japanese production from 1983, featuring Japanese actors and likely depicting Japanese characters, including one inspired by the historical Japanese figure Abe Sada. There is no indication of a character established as one race being portrayed as a different race.
Combines user and critic ratings from four sources























