How does María Pagés’ thinking work? Where do her movements come from? What inspires her dancing? Starting with the staging of one of her latest shows, ‘De Scheherezade’, at the Roman Theatre of Mérida, we delve into her creative process, a process that she has shared for more than ten years with the poet, writer and dramaturg El Arbi El Harti. Both helps us to deconstruct scenes and draw a line that links with their previous works. By means of a fine sense of humour, the couple reveals to us the happiness and difficulties of living and working together. María Pagés shows herself to us as a woman whose life has its center on stage, in her way of understanding flamenco. Her dance seems to be something close to meditation and her creative process, a kind of trance.