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The Babysitter: Killer Queen (2020)
Two years after defeating a satanic cult led by his babysitter Bee, Cole's trying to forget his past and focus on surviving high school. But when old enemies unexpectedly return, Cole will once again have to outsmart the forces of evil.
Two years after defeating a satanic cult led by his babysitter Bee, Cole's trying to forget his past and focus on surviving high school. But when old enemies unexpectedly return, Cole will once again have to outsmart the forces of evil.
The film's central subject matter, a horror-comedy about survival against a satanic cult, is inherently apolitical, focusing on entertainment and universal themes of courage and friendship rather than societal or political commentary.
The movie includes visible diversity in its cast, featuring a Latina actress in a significant role. However, its narrative does not explicitly critique or negatively portray traditional identities, maintaining a neutral to positive framing of its white male protagonist.
The film features Max, a returning villain, whose unrequited crush on the protagonist is a recurring comedic element. This depiction primarily uses a queer character's identity for mockery and ties it to villainy, without offering depth or positive representation, resulting in a net negative portrayal.
The film 'The Babysitter: Killer Queen' does not feature any identifiable transgender characters or themes. The narrative focuses on horror-comedy elements and a satanic cult ritual, with no plot points or character arcs related to transsexual identity present in the story.
The movie does not contain any action or adventure elements.
The film is a direct sequel to 'The Babysitter,' with all returning characters maintaining their established genders from the previous installment. No previously established characters were portrayed as a different gender.
The film is a direct sequel, and all returning characters are portrayed by the same actors, maintaining their established races. New characters introduced do not have prior canonical racial depictions to be swapped from.
Combines user and critic ratings from four sources























