7.4
Viewer Rating
Combines user and critic ratings from four sources
The Barbarian Invasions (2003)
The Barbarian Invasions (2003)
Overview
In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Leans Right
Diversity: Low
LGBTQ: Positive
Christianity: Negative
Viewer Rating
7.4
Overview
In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central conflict highlights the failures of the public healthcare system, with the narrative championing an individualistic, wealth-driven solution to provide dignity in end-of-life care, which aligns with right-leaning skepticism of government services.
The movie features a predominantly white, French-Canadian cast, consistent with its setting and character demographics, and does not incorporate intentional race or gender swaps. Its narrative explores themes of mortality and intellectualism without explicitly critiquing traditional identities or centering DEI themes.
Secondary
The film features Nathalie, a lesbian character, depicted with dignity and complexity. Her identity is presented as a normal aspect of her life, and her relationship with her female partner is accepted without prejudice by other characters, contributing to a supportive and validating portrayal.
The film portrays Christianity primarily through the critical, secular lens of its intellectual protagonists, who view the church as a historically significant but largely irrelevant or even problematic institution in contemporary society. There is no significant counterbalancing positive portrayal or nuance offered by the film's narrative.
The Barbarian Invasions does not include any identifiable transsexual characters or themes within its narrative. The film focuses on a dying professor's final days, his family, and reflections on life and society, with no elements pertaining to transgender identity.
The movie does not contain any action or adventure elements.
The Barbarian Invasions is an original film with characters created specifically for its screenplay. There are no pre-existing canonical or historical characters whose gender could have been altered.
The Barbarian Invasions is an original film with characters created specifically for its narrative. There is no prior source material or historical record establishing the race of its characters, thus precluding any race swaps.
Viewer Rating Breakdown
User Ratings
7.5
7.0
Critic Ratings
8.1
7.0
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